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FILM REVIEW: Raoul Peck'sLumumba:A Film for Our Times
Research in African Literatures, 2002openaire +1 more source
This article examines the concept of intermelodicity in the cinematic works of Haitian-born filmmaker Raoul Peck, focusing on how musical elements function as narrative metasporic devices that transcend conventional film scoring to become integral components of meaning-making.
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Raoul Peck's The Man by the Shore , Orality, Film and Repression
Critical Interventions, 2011openaire +1 more source
The Tree that does not hide the Forest: Raoul Peck's Aesthetical and Political Approach to Cinema
Caribbean Quarterly, 2004exaly
Communiqué de Raoul Peck à l’occasion de la sortie de son film LUMUMBA
Présence Africaine, 1999openaire +1 more source
RAOUL PECK’S LUMUMBA: THE PASSION OF REMEMBRANCE AND THE PAN-DIASPORIC LONGING FOR HISTORY
Nka Journal of Contemporary African Art, 2002openaire +1 more source

