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Raoul Fransen

Lancet, The, 2004
exaly  

Intermelodicity in Raoul Peck's Cinema: Musical Narratives of Resistance, Memory and Postcolonial Identity

This article examines the concept of intermelodicity in the cinematic works of Haitian-born filmmaker Raoul Peck, focusing on how musical elements function as narrative metasporic devices that transcend conventional film scoring to become integral components of meaning-making.
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