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Qualitative Inquiry, 2019
Neither inside, nor outside. Between art and non-art. Visual artist, Marcel Duchamp’s readymade art installations of the early 20th century mapped a space of between-ness, of liminality, through previously drawn boundaries in the art world. In this article, we put forth readymade methodology as a liminal approach to (post)qualitative research.
Ryan Evely Gildersleeve +1 more
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Neither inside, nor outside. Between art and non-art. Visual artist, Marcel Duchamp’s readymade art installations of the early 20th century mapped a space of between-ness, of liminality, through previously drawn boundaries in the art world. In this article, we put forth readymade methodology as a liminal approach to (post)qualitative research.
Ryan Evely Gildersleeve +1 more
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2015
Sala de la Muralla. Edificio Rectorado.Del 15 de Mayo al 6 de Junio de 2015 Universidad de Málaga Redkrea nació con la vocación de apoyar a los jóvenes creadores y dar visibilidad y difusión a sus trabajos. Es un proyecto en el que se integran las 10 universidades públicas andaluzas, liderado por la Universidad de Málaga y financiado por la Junta de ...
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Sala de la Muralla. Edificio Rectorado.Del 15 de Mayo al 6 de Junio de 2015 Universidad de Málaga Redkrea nació con la vocación de apoyar a los jóvenes creadores y dar visibilidad y difusión a sus trabajos. Es un proyecto en el que se integran las 10 universidades públicas andaluzas, liderado por la Universidad de Málaga y financiado por la Junta de ...
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2018
In 1916, the French artist Marcel Duchamp coined the term "readymade" to describe a body of his own work in which everyday and often mass-produced objects were given the status of a work of art with little or no intervention by the artist beyond signing and displaying them. He began to produce these works in Paris, beginning with Bottle Rack (1914) and
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In 1916, the French artist Marcel Duchamp coined the term "readymade" to describe a body of his own work in which everyday and often mass-produced objects were given the status of a work of art with little or no intervention by the artist beyond signing and displaying them. He began to produce these works in Paris, beginning with Bottle Rack (1914) and
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Public, 2017
Abstract a poem re: Duchamp at Philadelphia Museum. Reprinted by permission of the author from Some Worlds for Dr. Vogt (Black Square Editions, 2015)
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Abstract a poem re: Duchamp at Philadelphia Museum. Reprinted by permission of the author from Some Worlds for Dr. Vogt (Black Square Editions, 2015)
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The Journal of Modern Periodical Studies, 2012
ABSTRACT Approaching New York Dada (1921) as a readymade, this article contends that its editors, Marcel Duchamp and Man Ray, manipulated the magazine medium to interrogate perceived divisions between print genres and gender roles. In so doing they offer a sometimes ambiguous but ultimately critical response to consumer culture and to ...
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ABSTRACT Approaching New York Dada (1921) as a readymade, this article contends that its editors, Marcel Duchamp and Man Ray, manipulated the magazine medium to interrogate perceived divisions between print genres and gender roles. In so doing they offer a sometimes ambiguous but ultimately critical response to consumer culture and to ...
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Readymade, Found Object, Photograph
Art Journal, 2004The 1936 Surrealist Exhibition of Objects brought together a bewildering range of items including natural objects, interpreted natural objects, incorporated natural objects, found objects, perturbed objects, readymade objects, American objects, Oceanic objects, mathematical objects, and Surrealist objects.
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Introduction: Readymade or Handmade?
The Journal of Modern Craft, 2012(2012). Introduction: Readymade or Handmade? The Journal of Modern Craft: Vol. 5, No. 2, pp. 203-204.
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Linguistic Readymades and Creative Reuse
Journal of Integrated Design and Process Science, 2013Creativity often arises from a process of appropriation, in which something is wrenched from its normative context of use and given new meaning in a new setting. In this vein, Marcel Duchamp popularized the notion of an artistic ready-made when his Fountain – a signed urinal – was presented with some controversy at a Dada exhibition in 1917.
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