Results 161 to 170 of about 3,613 (219)
The causal mediating effect of smoking on the relationship between irritability and bipolar disorder: A two-step Mendelian randomization study. [PDF]
Tob Induc DisHu Q +5 more
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Nutrition Outcomes and Interventions in Older People in Africa: A Systematic Umbrella and Scoping Review. [PDF]
Nutr RevManyara AM +9 more
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Haematopoietic stem cell transplantation for children and young people: is there a role for prehabilitation? A scoping review. [PDF]
Support Care CancerRowley D +4 more
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Co-designing solutions to promote awareness of cervical screening with women of low socio-economic position living in urban areas. [PDF]
BMC Public HealthMulcahy Symmons S +4 more
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Public, 2017
Abstract a poem re: Duchamp at Philadelphia Museum. Reprinted by permission of the author from Some Worlds for Dr. Vogt (Black Square Editions, 2015)
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Abstract a poem re: Duchamp at Philadelphia Museum. Reprinted by permission of the author from Some Worlds for Dr. Vogt (Black Square Editions, 2015)
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Qualitative Inquiry, 2019
Neither inside, nor outside. Between art and non-art. Visual artist, Marcel Duchamp’s readymade art installations of the early 20th century mapped a space of between-ness, of liminality, through previously drawn boundaries in the art world. In this article, we put forth readymade methodology as a liminal approach to (post)qualitative research.
Ryan Evely Gildersleeve +1 more
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Neither inside, nor outside. Between art and non-art. Visual artist, Marcel Duchamp’s readymade art installations of the early 20th century mapped a space of between-ness, of liminality, through previously drawn boundaries in the art world. In this article, we put forth readymade methodology as a liminal approach to (post)qualitative research.
Ryan Evely Gildersleeve +1 more
openaire +1 more source
October, 2018
In 1916, the French artist Marcel Duchamp coined the term "readymade" to describe a body of his own work in which everyday and often mass-produced objects were given the status of a work of art with little or no intervention by the artist beyond signing and displaying them. He began to produce these works in Paris, beginning with Bottle Rack (1914) and
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In 1916, the French artist Marcel Duchamp coined the term "readymade" to describe a body of his own work in which everyday and often mass-produced objects were given the status of a work of art with little or no intervention by the artist beyond signing and displaying them. He began to produce these works in Paris, beginning with Bottle Rack (1914) and
openaire +2 more sources
2015
Sala de la Muralla. Edificio Rectorado.Del 15 de Mayo al 6 de Junio de 2015 Universidad de Málaga Redkrea nació con la vocación de apoyar a los jóvenes creadores y dar visibilidad y difusión a sus trabajos. Es un proyecto en el que se integran las 10 universidades públicas andaluzas, liderado por la Universidad de Málaga y financiado por la Junta de ...
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Sala de la Muralla. Edificio Rectorado.Del 15 de Mayo al 6 de Junio de 2015 Universidad de Málaga Redkrea nació con la vocación de apoyar a los jóvenes creadores y dar visibilidad y difusión a sus trabajos. Es un proyecto en el que se integran las 10 universidades públicas andaluzas, liderado por la Universidad de Málaga y financiado por la Junta de ...
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The Journal of Modern Periodical Studies, 2012
ABSTRACT Approaching New York Dada (1921) as a readymade, this article contends that its editors, Marcel Duchamp and Man Ray, manipulated the magazine medium to interrogate perceived divisions between print genres and gender roles. In so doing they offer a sometimes ambiguous but ultimately critical response to consumer culture and to ...
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ABSTRACT Approaching New York Dada (1921) as a readymade, this article contends that its editors, Marcel Duchamp and Man Ray, manipulated the magazine medium to interrogate perceived divisions between print genres and gender roles. In so doing they offer a sometimes ambiguous but ultimately critical response to consumer culture and to ...
openaire +1 more source
Linguistic Readymades and Creative Reuse
Journal of Integrated Design and Process Science, 2013Creativity often arises from a process of appropriation, in which something is wrenched from its normative context of use and given new meaning in a new setting. In this vein, Marcel Duchamp popularized the notion of an artistic ready-made when his Fountain – a signed urinal – was presented with some controversy at a Dada exhibition in 1917.
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