Results 1 to 10 of about 125 (84)

Russian literary criticism of the 20th century on Moliere’s comedy “The Misanthrope” [PDF]

open access: yesИзвестия Саратовского университета. Новая серия: Серия Филология, Журналистика, 2023
The article addresses the reception of J.-B. Moliere’s comedy “The Misanthrope” (1666) by the Russian literary critics of the 20th century, refl ected in monographs, academic publications, textbook, articles and the scientifi c apparatus to the complete ...
Pavlova, Svetlana Yurievna
doaj   +1 more source

French lectures – 2022 [PDF]

open access: yesИзвестия Саратовского университета. Новая серия: Серия Филология, Журналистика, 2022
The article presents a review of a three-day conference session “French lectures: teachers and students” (“Lectures françaises: maîtres et disciples”) as part of the 50th International  scientifi c philological anniversary conference named after L.
Pavlova, Svetlana Yurievna
doaj   +1 more source

Wracając do Molière’a: Wprowadzenie

open access: yesPamiętnik Teatralny, 2023
Introduction to essay cluster Molière Revisited. The author presents the most substantial artistic and academic projects carried out in Poland on the occasion of the 400th anniversary of Molière's birth.
Patryk Kencki
doaj   +1 more source

Molière po nipuańsku, czyli o nieobecności «Mizantropa» na scenach staropolskich

open access: yesPamiętnik Teatralny, 2023
This article seeks to explain why the reception of The Misanthrope in Polish literature and theater began so late. The author analyzes the first two translations of short excerpts from this comedy—by Franciszek Zabłocki (1774) and Ignacy Krasicki (1803 ...
Patryk Kencki
doaj   +1 more source

«Pocieszne wykwintnisie» Molière’a: Farsa na kobiety?

open access: yesPamiętnik Teatralny, 2023
Molière’s Les précieuses ridicules (The Affected Ladies), his first great success, is regarded today as one of his most controversial works, as its main comic characters are women aspiring to independence.
Piotr Olkusz
doaj   +1 more source

«Mieszczanin szlachcicem», czyli estetyzacja frustracji społecznej i jej transhistoryczne aktualizacje (1670–2022)

open access: yesPamiętnik Teatralny, 2023
This article concerns Molière’s 1670 comedy Le Bourgeois gentilhomme (The Bourgeois Gentleman) and selected aspects of its scholarly and artistic reception.
Michał Bajer
doaj   +1 more source

Translating and publishing French theatre in China

open access: yesFrancosphères, 2021
This article examines transformations in the literary translation environment in the People’s Republic of China (PRC) specifically in relation to French-language theatre.
Liang Xiaoyan   +2 more
doaj   +1 more source

Opera which Involves Dance, or Ballet which Involves Singing: Comédie Lyrique on the Stage of the Royal Academy of Music in Paris

open access: yesСовременные проблемы музыкознания, 2023
The article is devoted to the receptivity of the premiere performances of André Grétry’s musical comedies on the stage of the Paris Royal Academy of Music in the 1780s. Our attention becomes focused on materials of critical reviews in the French
Alexandra A. Safonova
doaj   +1 more source

Ze studiów nad Molierem w teatrze staropolskim

open access: yesPamiętnik Teatralny, 1956
This article concerns the reception of Molière’s comedies in 18th-century Poland, focusing on Le Bourgeois gentilhomme (The Bourgeois Gentleman) and Les Précieuses ridicules (The Affected Ladies), whose two early translations are included in the appendix
Julian Lewański
doaj   +1 more source

«Zabawa złożona ze wszystkich, jakich teatr dostarczyć może»: Les Amants magnifiques – Miłość wspaniała

open access: yesPamiętnik Teatralny, 2016
This article is an analysis of the 18th century Polish rendering of Molière’s Les Amants magnifiques by Duchess Franciszka Urszula Radziwiłłowa, supplemented by its edition in the appendix.
Patryk Kencki
doaj   +1 more source

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