Results 1 to 10 of about 125 (84)
Russian literary criticism of the 20th century on Moliere’s comedy “The Misanthrope” [PDF]
The article addresses the reception of J.-B. Moliere’s comedy “The Misanthrope” (1666) by the Russian literary critics of the 20th century, refl ected in monographs, academic publications, textbook, articles and the scientifi c apparatus to the complete ...
Pavlova, Svetlana Yurievna
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The article presents a review of a three-day conference session “French lectures: teachers and students” (“Lectures françaises: maîtres et disciples”) as part of the 50th International scientifi c philological anniversary conference named after L.
Pavlova, Svetlana Yurievna
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Wracając do Molière’a: Wprowadzenie
Introduction to essay cluster Molière Revisited. The author presents the most substantial artistic and academic projects carried out in Poland on the occasion of the 400th anniversary of Molière's birth.
Patryk Kencki
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Molière po nipuańsku, czyli o nieobecności «Mizantropa» na scenach staropolskich
This article seeks to explain why the reception of The Misanthrope in Polish literature and theater began so late. The author analyzes the first two translations of short excerpts from this comedy—by Franciszek Zabłocki (1774) and Ignacy Krasicki (1803 ...
Patryk Kencki
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«Pocieszne wykwintnisie» Molière’a: Farsa na kobiety?
Molière’s Les précieuses ridicules (The Affected Ladies), his first great success, is regarded today as one of his most controversial works, as its main comic characters are women aspiring to independence.
Piotr Olkusz
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This article concerns Molière’s 1670 comedy Le Bourgeois gentilhomme (The Bourgeois Gentleman) and selected aspects of its scholarly and artistic reception.
Michał Bajer
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Translating and publishing French theatre in China
This article examines transformations in the literary translation environment in the People’s Republic of China (PRC) specifically in relation to French-language theatre.
Liang Xiaoyan +2 more
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The article is devoted to the receptivity of the premiere performances of André Grétry’s musical comedies on the stage of the Paris Royal Academy of Music in the 1780s. Our attention becomes focused on materials of critical reviews in the French
Alexandra A. Safonova
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Ze studiów nad Molierem w teatrze staropolskim
This article concerns the reception of Molière’s comedies in 18th-century Poland, focusing on Le Bourgeois gentilhomme (The Bourgeois Gentleman) and Les Précieuses ridicules (The Affected Ladies), whose two early translations are included in the appendix
Julian Lewański
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This article is an analysis of the 18th century Polish rendering of Molière’s Les Amants magnifiques by Duchess Franciszka Urszula Radziwiłłowa, supplemented by its edition in the appendix.
Patryk Kencki
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