Results 121 to 130 of about 76,362 (260)
Shakespearean Theatre in Criticism and Journalism of Petr Boborykin
The aim of the study is to analyze the functions and forms of Boborykin’s references to Shakespeare’s dramatic heritage and determine the extent of Shakespearean theatre’s influence on the formation of the writer’s creative system.
A. A. Timakova
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ABSTRACT This article examines the transformative potential of a combination of creative pedagogies, particularly comics and graphic novels and applied drama pedagogy, in fostering racial literacy amongst young learners within British educational settings.
Kavyta Raghunandan, Lisa Stephenson
wiley +1 more source
Evolution of Literary-Critical Method of Julius Aikhenvald and His Views on Shakespeare’s Creativity
The research problem concerns the evolution of critical views of Julius Isaevich Aikhenvald (1872—1928) in relation to his perception of William Shakespeare’s creativity.
V. V. Serdechnaya, D. N. Zhatkin
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The Cowl - v.34 - n.9 - Oct 28, 1981 [PDF]
The Cowl - student newspaper of Providence College. Volume 34 – October 28, 1981.
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A Midsummer Night\u27s Dream (1987) [PDF]
Playwright: William Shakespeare Director: Richard D. Parks Set Design: Donamarie Reeds Costumes: Elizabeth Poindexter Academic Year: 1986-1987https://scholarworks.sjsu.edu/productions_1980s/1036/thumbnail ...
San Jose State University, Theatre Arts
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The present paper deals with the historical overview and the reception of William Shakespeare’s Sonnets in contemporary Iran. The authors examine the chronology of Persian translations of Shakespeare’s Sonnets (both scattered and book-length ones) during
Mostafa Hosseini, Mahmood Yenkimaleki
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Schedule of upcoming events, brief articles about alumni activities, and a column by the alumni ...
Ferry, Debbie Hansen Harmon, \u2790 +1 more
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Historical empathy and medicine: Pathography and empathy in Sophocles' Philoctetes. [PDF]
Kampourelli V.
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The article examines how Shakespearean heritage institutions in Stratford-upon-Avon are redefining contemporary museum exhibition practices through immersive, multimodal and multisensorial storytelling.
Julia Biliuk
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