Results 211 to 220 of about 76,362 (260)
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10. Shakespeare Videogames, Adaptation/ Appropriation , and Collaborative Reception
2021exaly +2 more sources
Trouble in the Republic of Letters: The Reception of the Shakespeare Forgeries
Studies in Romanticism, 2005exaly +2 more sources
Imperialistic Representations and Spectatorial Reception in Shakespeare Wallah
Modern Drama, 2002Recent scholarship has sought to revise critical claims regarding the universal and transcendental status accorded to Shakespeare in India through an examination of three important aspects pertaining to the construction and representation of the bard: first, situating the history of Shakespeare in the context of colonial power relations, scholars have
openaire +1 more source
Love as a Construct of Power in Shakespeare’s The Tempest: A Reception-Theoretical Reading
International Journal of English Literature and Social SciencesThe Tempest has been traditionally received as a romance that exalts love, forgiveness, and reconciliation. In fact, love has been traditionally understood as a redemptive moral agent that resolves conflicts and re-establishes harmony.
A. S., Shahaana N.
semanticscholar +1 more source
A Tale of Two Houses: Returning Ghosts and Hammad’s Appropriation of Shakespeare’s Hamlet
Open Cultural StudiesThe purpose of this paper is to examine how Palestinian-British novelist Isabella Hammad’s Enter Ghost (2023) appropriates Shakespeare’s Hamlet since it narrates the story of a Palestinian theatrical troupe who are trying to put on a performance of ...
Yousef Abu Amrieh, Ahmed Shalabi
semanticscholar +1 more source
Spanish reception of Molina Foix and Plaza’s 1992 version of The Merchant of Venice: a reassessment
MonTI : monographs in translation and interpretingThe present paper reassesses the Spanish reception of Vicente Molina Foix’s and José Carlos Plaza’s Spanish version of Shakespeare’s The Merchant of Venice, premiered at the María Guerrero Theatre (Madrid) in 1992. Taking into account the interdependence
Purificación Ribes Traver
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The Afterlives of Shakespeare and Company in Online Social Readership
Journal of Cultural AnalyticsThe growth of social reading platforms such as Goodreads and LibraryThing enables us to analyze reading activity at very large scale and in remarkable detail. But twenty-first century systems give us a perspective only on contemporary readers. Meanwhile,
Maria Antoniak +5 more
semanticscholar +1 more source
Shagi / Steps
The article is devoted to the reception of Shakespeare’s works in England in the last third of the 17th century, when Shakespeare’s plays were rewritten for the stage and adapted to the contemporary conditions and rules of English drama.
E. Lutsenko
semanticscholar +1 more source
The article is devoted to the reception of Shakespeare’s works in England in the last third of the 17th century, when Shakespeare’s plays were rewritten for the stage and adapted to the contemporary conditions and rules of English drama.
E. Lutsenko
semanticscholar +1 more source
The Huntington Library Quarterly
:This article explores the print-cultural and aesthetic significance of Charles Taylor's illustrated anthology of Shakespeare's plays, The Picturesque Beauties of Shakespeare (1783–1787).
Morteza Lak
semanticscholar +1 more source
:This article explores the print-cultural and aesthetic significance of Charles Taylor's illustrated anthology of Shakespeare's plays, The Picturesque Beauties of Shakespeare (1783–1787).
Morteza Lak
semanticscholar +1 more source