Results 151 to 160 of about 1,140 (211)
Creating Change: Art Activism and Leadership Development
New Directions for Student Leadership, Volume 2025, Issue 185, Page 61-65, Spring 2025.ABSTRACT This article advocates the inclusion of the arts, and specifically, art activism, as a beneficial pedagogical approach to leadership development. Focus is given to using examples of art activism to introduce the student leader activist identity continuum (SLAIC), the exploration of leadership identity, and situating activism as transformative ...
Jessica A. Cruz +2 more
wiley +1 more source
Market‐Driving Capability: An Empirical Study on Antecedents and Consequences
British Journal of Management, EarlyView.Abstract What enables market‐driving behaviour, and is it a worthwhile business strategy? This fundamental question intrigues both managers in firms and researchers in marketing and strategic management, yet surprisingly, it remains underexplored. To this end, we assess the antecedents and consequences of market‐driving capability.
Owais Khan +2 more
wiley +1 more source
The impact of Synaesthesia on inclusive teaching and learning: A systematic literature review
British Journal of Special Education, EarlyView.Abstract Synaesthesia is a neurodevelopmental phenomenon involving consistent, involuntary cross‐modal sensory experiences. Though well‐documented in cognitive neuroscience, its implications for educational practice remain underexplored. This systematic narrative literature review investigates how synaesthesia may impact children's learning and inform ...
Alexandra Sewell +2 more
wiley +1 more source
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Communication Booknotes, 1975
Roger D. Kinkle's The Complete Encyclopedia of Popular Music and Jazz: 1900-1950 (New Rochelle, N.Y.: Arlington House, 1974—$75.00 for set of four volumes) Clive Davis and James Willwerth, Clive: Inside Inside the Record Business (New York: Morrow, 1974—$8.95) Studies in Jazz Discography I (Institute of Jazz Studies University Extension Division ...
Roger D. Kinkle +4 more
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Roger D. Kinkle's The Complete Encyclopedia of Popular Music and Jazz: 1900-1950 (New Rochelle, N.Y.: Arlington House, 1974—$75.00 for set of four volumes) Clive Davis and James Willwerth, Clive: Inside Inside the Record Business (New York: Morrow, 1974—$8.95) Studies in Jazz Discography I (Institute of Jazz Studies University Extension Division ...
Roger D. Kinkle +4 more
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Philosophy Compass, 2009
Abstract In this article, I first consider the metaphysics of musical recordings: their variety, repeatability, and transparency. I then turn to evaluative or aesthetic issues, such as the relative virtues of recordings and live performances, in light of the metaphysical discussion.
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Abstract In this article, I first consider the metaphysics of musical recordings: their variety, repeatability, and transparency. I then turn to evaluative or aesthetic issues, such as the relative virtues of recordings and live performances, in light of the metaphysical discussion.
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Music Recording and the Recording Industry
2021Abstract Records have become an essential source for popular music history. The article discusses the technical development and global expansion of the international recording industry from the 1890s to the 2010s. Production peaked in 1929 and started to grow again after the Second World War.
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2023
Abstract Audio recording, reproduction, and distribution technologies developed in the nineteenth and twentieth centuries worked to “fix” the program of a musical from a relatively fluid set of interchangeable songs into an increasingly stable score.
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Abstract Audio recording, reproduction, and distribution technologies developed in the nineteenth and twentieth centuries worked to “fix” the program of a musical from a relatively fluid set of interchangeable songs into an increasingly stable score.
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Proceedings of the Royal Musical Association, 1948
When I speak of the recorder as a musical instrument, I do so knowing that you cannot fail to have heard the instrument at some time, as it is now once again an integral part of our musical life.
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When I speak of the recorder as a musical instrument, I do so knowing that you cannot fail to have heard the instrument at some time, as it is now once again an integral part of our musical life.
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The Quarterly of Film Radio and Television, 1952
GERALD PRATLEY is a film commentator for the Canadian Broadcasting Corporation, for whom he writes and produces the weekly programs "The Movie Scene" and "Music from the Films." A frequent contributor to the Quarterly, Mr. Pratley presented compilations of film music on records in the Fall, 1951, Fall, 1952, Winter, 1953, and Winter, 1954, issues of ...
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GERALD PRATLEY is a film commentator for the Canadian Broadcasting Corporation, for whom he writes and produces the weekly programs "The Movie Scene" and "Music from the Films." A frequent contributor to the Quarterly, Mr. Pratley presented compilations of film music on records in the Fall, 1951, Fall, 1952, Winter, 1953, and Winter, 1954, issues of ...
openaire +1 more source