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Philosophy Compass, 2009
Abstract In this article, I first consider the metaphysics of musical recordings: their variety, repeatability, and transparency. I then turn to evaluative or aesthetic issues, such as the relative virtues of recordings and live performances, in light of the metaphysical discussion.
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Abstract In this article, I first consider the metaphysics of musical recordings: their variety, repeatability, and transparency. I then turn to evaluative or aesthetic issues, such as the relative virtues of recordings and live performances, in light of the metaphysical discussion.
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Communication Booknotes, 1977
Leroy Ostransky's Understanding Jazz (Englewood Cliffs, N.J.: Prentice- Hall, 1977—$5.95, paper, with a cloth edition also available for which price not given) Paul O.W. Tanner and Maurice Gerow's A Study of Jazz (Dubuque, Iowa: Wm. C. Brown, 1977—paper, but price not given) Whitney Balliett's Improvising: Sixteen Jazz Musicians and Their Art (New York:
Leroy Ostransky +13 more
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Leroy Ostransky's Understanding Jazz (Englewood Cliffs, N.J.: Prentice- Hall, 1977—$5.95, paper, with a cloth edition also available for which price not given) Paul O.W. Tanner and Maurice Gerow's A Study of Jazz (Dubuque, Iowa: Wm. C. Brown, 1977—paper, but price not given) Whitney Balliett's Improvising: Sixteen Jazz Musicians and Their Art (New York:
Leroy Ostransky +13 more
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Proceedings of the Royal Musical Association, 1948
When I speak of the recorder as a musical instrument, I do so knowing that you cannot fail to have heard the instrument at some time, as it is now once again an integral part of our musical life.
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When I speak of the recorder as a musical instrument, I do so knowing that you cannot fail to have heard the instrument at some time, as it is now once again an integral part of our musical life.
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2020
Beyond the definition of the music industry and the data-driven analysis of the music market, this chapter seeks to present some perspective and insight on the issues and challenges that will face the main players of the industry (“traditional” firms and new entrants) of music recording. The recorded music market is a complex one that has been affected
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Beyond the definition of the music industry and the data-driven analysis of the music market, this chapter seeks to present some perspective and insight on the issues and challenges that will face the main players of the industry (“traditional” firms and new entrants) of music recording. The recorded music market is a complex one that has been affected
openaire +1 more source

