Results 201 to 210 of about 43,755 (256)
Some of the next articles are maybe not open access.
2023
Abstract Audio recording, reproduction, and distribution technologies developed in the nineteenth and twentieth centuries worked to “fix” the program of a musical from a relatively fluid set of interchangeable songs into an increasingly stable score.
openaire +1 more source
Abstract Audio recording, reproduction, and distribution technologies developed in the nineteenth and twentieth centuries worked to “fix” the program of a musical from a relatively fluid set of interchangeable songs into an increasingly stable score.
openaire +1 more source
Philosophy Compass, 2009
Abstract In this article, I first consider the metaphysics of musical recordings: their variety, repeatability, and transparency. I then turn to evaluative or aesthetic issues, such as the relative virtues of recordings and live performances, in light of the metaphysical discussion.
openaire +1 more source
Abstract In this article, I first consider the metaphysics of musical recordings: their variety, repeatability, and transparency. I then turn to evaluative or aesthetic issues, such as the relative virtues of recordings and live performances, in light of the metaphysical discussion.
openaire +1 more source
Music Recording and the Recording Industry
2021Abstract Records have become an essential source for popular music history. The article discusses the technical development and global expansion of the international recording industry from the 1890s to the 2010s. Production peaked in 1929 and started to grow again after the Second World War.
openaire +1 more source
Proceedings of the Royal Musical Association, 1948
When I speak of the recorder as a musical instrument, I do so knowing that you cannot fail to have heard the instrument at some time, as it is now once again an integral part of our musical life.
openaire +1 more source
When I speak of the recorder as a musical instrument, I do so knowing that you cannot fail to have heard the instrument at some time, as it is now once again an integral part of our musical life.
openaire +1 more source
The Quarterly of Film Radio and Television, 1952
GERALD PRATLEY is a film commentator for the Canadian Broadcasting Corporation, for whom he writes and produces the weekly programs "The Movie Scene" and "Music from the Films." A frequent contributor to the Quarterly, Mr. Pratley presented compilations of film music on records in the Fall, 1951, Fall, 1952, Winter, 1953, and Winter, 1954, issues of ...
openaire +1 more source
GERALD PRATLEY is a film commentator for the Canadian Broadcasting Corporation, for whom he writes and produces the weekly programs "The Movie Scene" and "Music from the Films." A frequent contributor to the Quarterly, Mr. Pratley presented compilations of film music on records in the Fall, 1951, Fall, 1952, Winter, 1953, and Winter, 1954, issues of ...
openaire +1 more source
2020
Beyond the definition of the music industry and the data-driven analysis of the music market, this chapter seeks to present some perspective and insight on the issues and challenges that will face the main players of the industry (“traditional” firms and new entrants) of music recording. The recorded music market is a complex one that has been affected
openaire +1 more source
Beyond the definition of the music industry and the data-driven analysis of the music market, this chapter seeks to present some perspective and insight on the issues and challenges that will face the main players of the industry (“traditional” firms and new entrants) of music recording. The recorded music market is a complex one that has been affected
openaire +1 more source
1991
Following the successful volumes of Song on Record, this 1991 book surveys all the recordings of major choral works from the Monteverdi Vespers to Britten's War Requiem. Discussion of the various interpretations on record is preceded, in each chapter, by informed criticism of the work concerned, including - where appropriate - a clarification of ...
openaire +1 more source
Following the successful volumes of Song on Record, this 1991 book surveys all the recordings of major choral works from the Monteverdi Vespers to Britten's War Requiem. Discussion of the various interpretations on record is preceded, in each chapter, by informed criticism of the work concerned, including - where appropriate - a clarification of ...
openaire +1 more source

