Results 11 to 20 of about 1,391 (142)
Sam teatr nie wystarcza : Reduta, Białoszewski, Nowosielski, Kajzar, Jarnuszkiewicz...
Autor monografii przypomniał słynne zdanie Juliusza Osterwy o tym, że "teatr stworzył Bóg dla tych, którym nie wystarcza kościół", po czym wyjaśnił, że książka poświęcona jest twórcom przekraczającym granice teatru i wkraczającym w "domenę liturgii", "nawiązującym do szeroko pojętej strefy sacrum, do spraw ostatecznych".
Kornaś, Tadeusz
openaire +2 more sources
Predicting persistence of atopic dermatitis in children using clinical attributes and serum proteins
Allergy, Volume 76, Issue 4, Page 1158-1172, April 2021., 2021 Three distinct endotypes are found in infant AD. Persistence of AD at the age of 7 years is predicted with a sensitivity and specificity >80%. Factors with a high impact on the prediction of persistence are SCORAD at the age of 3 years, milk crust, aggravation triggered by change in the weather, and low VEGF serum levels.
Felix Lauffer +11 more
wiley +1 more source
Pamiętnik Teatralny, 2020 The article concerns the years 1919 and 1920, the time of Poland’s newly regained independence and the Polish-Bolshevik war. Due to censorship, this period used to be mentioned only briefly in literature on Juliusz Osterwa and the Reduta theatre even ...
Jagoda Hernik Spalińska
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Osterwa – aktor w teatrze życia
Pamiętnik Teatralny, 2020 The article discusses Juliusz Osterwa’s functioning in the socio-political space. The focus is shifted from the Reduta founder’s theatre activity to his methods of operating within the sphere of public life and to his relations with decision-makers who ...
Marzena Kuraś
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Wincenty Lutosławski i Juliusz Osterwa: Dzieje kontaktów
Pamiętnik Teatralny, 2020 Based on epistolary material and diaries, the article attempts a reconstruction of the history of Juliusz Osterwa’s (1885–1947) friendship with the famous philosopher Wincenty Lutosławski (1863–1954).
Dorota Jarząbek-Wasyl
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Pamiętnik Teatralny, 2017 The premiere of Sen [“A Dream”] by Felicja Kruszewska put on by the Reduta took place on 27 March 1927 in the Na Pohulance Theater. It was Edmund Wierciński’s directorial debut.
Anna Chojnacka
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Osterwa po wojnie albo Pięknosłużca w Polsce Ludowej
Pamiętnik Teatralny, 2020 The article discusses Juliusz Osterwa’s activity between 1944 and 1947. The author describes Osterwa’s social and artistic stance towards the new reality and his role in rebuilding Polish theatre after the war. It also addresses his complicated relations
Jarosław Cymerman
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Job, profession and professional culture [PDF]
, 2015 Celem pracy jest zarysowanie tematu profesji i kultury profesjonalnej w teorii organizacji i zarządzania oraz ukazanie ich istotnej roli w życiu poszczególnych osób, grup społecznych i organizacji.
Reduta, Michał
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