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Reply to Bourguignon et al.: Convergence is a plausible hypothesis for Quina technology in East Asia. [PDF]
Ruan QJ +8 more
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Rethinking arsenal: non-TAL effectors drive Xanthomonas virulence in Brassica. [PDF]
Singh R, Singh PP.
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Shrinkage Cracking Characteristics and Micro-Mechanism of Bentonite and Glass-Fiber-Modified Cement Soil in Dry Environment. [PDF]
Dai Z, Lu X, Wang L, Yang S, Wang R.
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Journal of the Society of Architectural Historians, 2018
With The Romanesque as Relic: Architecture and Institutional Memory at the Collegiate Church of Saint-Omer, Michalis Olympios contributes to ongoing discussions about the architectural visualization of institutional history practiced by medieval religious foundations in Latin Europe.
Olympios, Michalis,, Olympios, Michalis,
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With The Romanesque as Relic: Architecture and Institutional Memory at the Collegiate Church of Saint-Omer, Michalis Olympios contributes to ongoing discussions about the architectural visualization of institutional history practiced by medieval religious foundations in Latin Europe.
Olympios, Michalis,, Olympios, Michalis,
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The Irish Penny Journal
The poetry collection, Relics, draws from memory, autobiography, history, and imagination to explore themes of family, identity, and place using lyric and form. The collection is divided into three sections. The first section grounds the reader in the speaker’s experience with poems that reflect on childhood are rooted in themes of place, family ...
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The poetry collection, Relics, draws from memory, autobiography, history, and imagination to explore themes of family, identity, and place using lyric and form. The collection is divided into three sections. The first section grounds the reader in the speaker’s experience with poems that reflect on childhood are rooted in themes of place, family ...
+5 more sources
Chemistry directs the conservation of paper cultural relics
Polymer Degradation and Stability, 2023Yueer Yan
exaly
ACM SIGGRAPH 97 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '97 on - SIGGRAPH '97, 1997
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