Results 151 to 160 of about 21,582 (203)
Remix in the age of ubiquitous remix [PDF]
What is remix today? No longer a controversy, no longer a buzzword, remix is both everywhere and nowhere in contemporary media. This article examines this situation, looking at what remix now means when it is, for the most part, just an accepted part of the media landscape.
Abby Waysdorf
exaly +8 more sources
Some of the next articles are maybe not open access.
Related searches:
Related searches:
The 23rd IEEE International Symposium on Robot and Human Interactive Communication, 2014
In this paper, we describe the concept of remixing playware, which allows sampling and remixing of both physical and functional (e.g. music content) aspects of a system. Such remixing playware has a number of distinguished features which are explained in the paper: user-configurable modularity, which allows the user to interact and manipulate with ...
Henrik Hautop Lund +2 more
openaire +3 more sources
In this paper, we describe the concept of remixing playware, which allows sampling and remixing of both physical and functional (e.g. music content) aspects of a system. Such remixing playware has a number of distinguished features which are explained in the paper: user-configurable modularity, which allows the user to interact and manipulate with ...
Henrik Hautop Lund +2 more
openaire +3 more sources
Proceedings of the 17th ACM conference on Computer supported cooperative work & social computing, 2014
Reuse of the works of others has become common practice on the Internet and has formed the basis for collaboration in some online communities. However, some works are reused much more frequently than others. In this article we build a quantitative model that explains which factors are most salient in determining the likelihood that an author's work ...
Giorgos Cheliotis +3 more
openaire +1 more source
Reuse of the works of others has become common practice on the Internet and has formed the basis for collaboration in some online communities. However, some works are reused much more frequently than others. In this article we build a quantitative model that explains which factors are most salient in determining the likelihood that an author's work ...
Giorgos Cheliotis +3 more
openaire +1 more source
Communications of the ACM, 2011
Assessing the threat the anticircumvention provisions of the Digital Millennium Copyright Act pose for fair use.
openaire +1 more source
Assessing the threat the anticircumvention provisions of the Digital Millennium Copyright Act pose for fair use.
openaire +1 more source
Proceedings of the 16th ACM international conference on Multimedia, 2008
This paper describes the FWDrift [remix] performance, which uses the car as a platform for experimentation with local knowledge of the cityscape and the embodies experience of its geography.
openaire +2 more sources
This paper describes the FWDrift [remix] performance, which uses the car as a platform for experimentation with local knowledge of the cityscape and the embodies experience of its geography.
openaire +2 more sources
2014
Remix culture plays an important role in the expression and communication of visual art. It is a discourse by which I strive to directly engage culture by cutting and pasting together already existing visual information. By doing so, I strive to promote an exchange of ideas and feelings between juxtaposed pieces. In this age of post-digital era collage,
openaire +2 more sources
Remix culture plays an important role in the expression and communication of visual art. It is a discourse by which I strive to directly engage culture by cutting and pasting together already existing visual information. By doing so, I strive to promote an exchange of ideas and feelings between juxtaposed pieces. In this age of post-digital era collage,
openaire +2 more sources
2018
Resampling earlier chapters’ stories about urbanization, tradition, voice, gender, and genre, this epilogue looks back at changes in the Senegalese hip hop scene in the wake of the 2011–2012 Y’en a Marre movement. Showing how global narratives about hip hop resistance can have unexpected consequences, it reflects on scholars’ material and ...
openaire +1 more source
Resampling earlier chapters’ stories about urbanization, tradition, voice, gender, and genre, this epilogue looks back at changes in the Senegalese hip hop scene in the wake of the 2011–2012 Y’en a Marre movement. Showing how global narratives about hip hop resistance can have unexpected consequences, it reflects on scholars’ material and ...
openaire +1 more source
2016
Remix, as a pedagogical style and teaching method, reframes foundational elements of writing instruction and broadens the traditional practice of writing to include 21st century compositional methods and technological forms. Through Remix Writing, students and instructors learn to compose a networked system of writing that diffuses assumed hierarchies ...
openaire +1 more source
Remix, as a pedagogical style and teaching method, reframes foundational elements of writing instruction and broadens the traditional practice of writing to include 21st century compositional methods and technological forms. Through Remix Writing, students and instructors learn to compose a networked system of writing that diffuses assumed hierarchies ...
openaire +1 more source

