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The third son of Luigi, Alessandro (or Vincenzo) is best remembered as the father of Eleonora. Starting his career as a young and unbright primo attore, he becomes a brillante, a caratterista, and finally a generico working with his daughter.
Paolo Albonetti
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Dynamique socio-identitaire : étude des pratiques langagières dans l’espace urbain algérois
This article proposes to analyze the different uses of language as they are expressed by the speakers in the urban space of Algiers. Language practices have particular social and spatial traits.
Yasmina Baghbagha
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REFLECTIONS ON THE REPERTORY IN MUSIC EDUCATION: FILLING THE GAP WITH CONTEMPORARY MUSIC
Formal musical education in Brasil has been focusing common practice period repertory on all education segments. This research aims to reflect about this gap on musical education’s repertory, especially regarding contemporary music.
Érica Dias Gomes
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Christina Bashford has titled and subtitled her new book appropriately: although it takes the overt form of a biography of Victorian musical entrepreneur John Ella, it is also a much broader project concerning musical life, repertory, and audiences in ...
Ruth A. Solie
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'n Tegniek vir die identifisering van mense se konsepte van God
Man’s concepts of God occupy an important place in pastoral counselling. However, the identification of concepts of God is complex. Various efforts are reported.
F. J. van Jaarsveld +1 more
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Luigi is the founder of the Duse theatrical family, which also includes his granddaughter, Eleonora. He is an important figure in Northern Italy’s popular theatre, especially the Veneto region, in the first half of the 19th century.
Paolo Albonetti
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ORNAMENTATION IN THE TRADITIONAL REPERTOIRE OF FIDDLER A. BIDIREL IN THE CONTEXT OF THE STYLISTIC AND INTERPRETATIVE PROBLEMS IN THE ROMANIAN FOLKLORE OF THE 21ST CENTURY [PDF]
In this article will be highlighted the personality of Alexander Bidirel, a violinist fiddler of oral tradition from Bucovina, who worked in the mid-twentieth century. In the Romanian ethnomusicology, we can find limited data about Alexandru Bidirel.
SLABARI NICOLAE, COTOS MIHAI
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Teatro nigerianoy temas cruciales.Jos Repertory Theatre
La compañía Jos Repertory Theatre fue fundada en noviembre de 1997 por el Dr. PatrickJude Oteh, pero la implementación completa del programa comenzó en 2000 como una organización de teatro independiente sin ánimo de lucro que busca utilizar el teatro ...
María Aránzazu Fernández Giles
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The funeral repertory represents a privileged field in the history of music, which reflects the deepest expression of each composer or era. Funeral music was generally approached at the end of the works or at mature moments in composing art.
Petruța-Maria COROIU
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Réseaux transnationaux d’artistes et relocalisation du répertoire « afro-cubain » dans le Veracruz
The afro Cuban musical and chorographical repertory is considered to be a legitimate and valuable contribution to Cuba’s national cultural identity. It conveys to the non Cuban public, through professional musicians and dancers who are also practitioners
Kali Argyriadis
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