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2022
In Lettre morte (1999), Linda Lê’s narrator grapples with the punishment of Mezentius, that is, the everyday torture of the living being bound to the dead. The death of the Vietnamese father seals the impossible double bind: forever inseparable from his surviving daughter, penetrating every corner of her life, his memory is a constant reminder of the ...
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In Lettre morte (1999), Linda Lê’s narrator grapples with the punishment of Mezentius, that is, the everyday torture of the living being bound to the dead. The death of the Vietnamese father seals the impossible double bind: forever inseparable from his surviving daughter, penetrating every corner of her life, his memory is a constant reminder of the ...
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Annals of Internal Medicine, 2015
Acclaimed publisher and editor Neil Astley, founder of Bloodaxe Books, guest-edits this special transatlantic all-poetry issue, featuring poets from North America, Great Britain, and Ireland. The issue contains a stirring diversity of work, with writers who have roots everywhere from Guyana to Pakistan to Zambia, and also features poetry in Welsh ...
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Acclaimed publisher and editor Neil Astley, founder of Bloodaxe Books, guest-edits this special transatlantic all-poetry issue, featuring poets from North America, Great Britain, and Ireland. The issue contains a stirring diversity of work, with writers who have roots everywhere from Guyana to Pakistan to Zambia, and also features poetry in Welsh ...
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2016
A review of Inna Naroditskaya’s Bewitching Russian Opera that considers the influence of Catherine the Great on the rise of Russian opera in the eighteenth century, and her many avatars in the standard Russian operatic repertory of the nineteenth.
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A review of Inna Naroditskaya’s Bewitching Russian Opera that considers the influence of Catherine the Great on the rise of Russian opera in the eighteenth century, and her many avatars in the standard Russian operatic repertory of the nineteenth.
openaire +1 more source