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"Eros, commedia e performance: Richard Schechner e Dionysus in '69"
, 1997 Il saggio consiste in una valutazione critica della prima produzione del Dyonisus in '69 di Richard Schechner come lavoro di teatro sperimentale.
Maria Anita Stefanelli
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Asian Theatre Journal, 1984
If my article "A Collision of Cultures: Some Western Interpretations of the Indian Theatre" (Bharucha 1984) were as "reductive, incomplete, and inaccurate" as Schechner claims, I fail to see why he should respond to it with so much passion and rancor. A few lines would have been sufficient to dismiss the apparent ignorance of my piece. On re-reading my
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If my article "A Collision of Cultures: Some Western Interpretations of the Indian Theatre" (Bharucha 1984) were as "reductive, incomplete, and inaccurate" as Schechner claims, I fail to see why he should respond to it with so much passion and rancor. A few lines would have been sufficient to dismiss the apparent ignorance of my piece. On re-reading my
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Richard Schechner : da Restoration ai Performance Studies : un?indagine preliminare
Comunicazioni sociali : 1, 2016, 2016Within the promotion of a culture of liveness hallmarked by the cross-fertilisation of languages, techniques and methods, this paper analyses a phenomenon, as yet little explored in Italy, that characterises late-20th-century theatre research: Performance Studies. In looking to understand their genealogical path, starting from the writings and theories
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A Study on the Theatrical Scholar Richard Schechner - Focused on Performance Theory -
Journal of acting studies호원대학교 공연미디어학부 부교수 (Howon Univ.) +1 more
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6 axioms for environmental theatre: axiom three: Richard Schechner
2012Environment can be understood in two different ways. First, there is what one can do with and in a space; secondly, there is the acceptance of a given space. In the first case, one creates an environment by transforming a space; in the second case, one negotiates with an environment, engaging in a scenic dialogue with a space.
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