Results 51 to 60 of about 345,200 (222)

Greater Boston Youth Symphony Orchestras, January 20, 1985 [PDF]

open access: yes, 1985
This is the concert program of the Greater Boston Youth Symphony Orchestras performance on Sunday, January 20, 1985 at 7:00 p.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
core  

Bias in, symbolic compliance out? GPT's reliance on gender and race in strategic evaluations

open access: yesStrategic Management Journal, EarlyView.
Abstract Research summary Organizations are increasingly using large language models (LLMs) to support strategic evaluations. We examine whether and how these systems rely on gender and race. We asked GPT to evaluate identical startup pitches varying only the founder's name, shaping gender and race perceptions.
Tristan L. Botelho, Qingyang (Iris) Wang
wiley   +1 more source

The oldest monofenestratan pterosaur from the Queso Rallado locality (Cañadón Asfalto Formation, Toarcian) of Chubut Province, Patagonia, Argentina

open access: yesRoyal Society Open Science
As the first group of tetrapods to achieve powered flight, pterosaurs first appeared in the Late Triassic. They proliferated globally, and by the Late Jurassic through the Cretaceous, the majority of these taxa belonged to the clade Monofenestrata (which
Alexandra E. Fernandes   +2 more
doaj   +1 more source

Buchanan and the Social Contract: Coordination Failures and the Atrophy of Property Rights

open access: yesSouthern Economic Journal, EarlyView.
ABSTRACT James Buchanan advocated that societies should be based on a social contract. He rejected anarchy, seeing it as a “Hobbesian jungle” that calls for government intervention to maintain social order. He also opposed theories of spontaneous order. These views led to debates about the compatibility of Buchanan's works with classical liberalism and
Stefano Dughera, Alain Marciano
wiley   +1 more source

Un incontro mancato? Baudelaire e Wagner

open access: yesLea, 2019
The current contribution aims to disclose to the Italian readers some relevant aspects of a forthcoming volume entitled: Baudelaire et Wagner. In spite of an ideological purpose prevailing in the 18th Century – fraternity and correspondence between arts –
Michela Landi
doaj   +1 more source

Tsai Performance Center Tenth Anniversary Concert [PDF]

open access: yes, 1999
This is the concert program of the Tsai Performance Center Tenth Anniversary Concert performance on Tuesday, May 4, 1999 at 8:00 p.m, at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core  

Teaching Mishaps With Mistakes: A Peer‐Led Seminar Using Student Case Studies to Enhance Retention

open access: yesTeaching Statistics, EarlyView.
ABSTRACT Traditional teaching often emphasizes correct methods, limiting opportunities to explore analytical errors and biases. We introduce a seminar framework that integrates peer‐to‐peer teaching with intentional exposure to statistical and machine learning mishaps through flawed, student‐designed case studies.
Elizabeth Y. Yuu, Bernhard Y. Renard
wiley   +1 more source

Wege durch den Wagner-Dschungel [PDF]

open access: yes, 2011
Rezensionen zu: Richard Wagners politische Theologie : Kunst zwischen Revolution und Religion / Peter Hofmann. - Paderborn : Verl. Ferdinand Schöningh, 2003.
Kienzle, Ulrike
core  

Pseudonyms, Propaganda, and Prints: The Life and Political Caricatures of William Dent, 1782–931

open access: yesJournal for Eighteenth-Century Studies, EarlyView.
Abstract ‘Dent was probably an amateur and nothing is known of his life’, state Bryant and Heneage. Despite contributing to caricature's ‘golden age’, William Dent remains overlooked compared to contemporaries like James Gillray. Dent's extensive portfolio (1782–93) and rumoured role as a Pittite propagandist have not secured his place in the canon of ...
Callum D. Smith
wiley   +1 more source

La recepción temprana de Wagner en Estados Unidos: Wagner en la Kleindeutschland de Nueva York, 1854-1874

open access: yesResonancias, 2014
This study discusses the early reception of Richard Wagner’s music in New York, starting with the first documented performance of a work by Wagner in the city, in 1854, and the momentous production of Lohengrin at the Academy of Music, in 1874.
F. Javier Albo
doaj   +1 more source

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