Results 81 to 90 of about 345,200 (222)
Judaism, Philo, and Hegel's Theology
Abstract Hegel displays consistent interest in Judaism, but his presentation seems to differ widely between his earlier and later writings. Contemporary scholarly interpretations of this apparent change also differ widely. In this article, I present the interpretive problem as one of continuity‐discontinuity, and place the major scholarly treatments ...
Reed Frey, C.O.
wiley +1 more source
Chronology and Distribution of Corded Ware Groups in Saxony-Anhalt
The article examines thechronology and distribution of regional and local groups within the Corded Ware Culture in Saxony-Anhalt, Germany. It begins with a brief overview of the research history.
Ralph Schwarz
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Boston University Wind Ensemble, May 3, 1989 [PDF]
This is the concert program of the Boston University Wind Ensemble performance on Wednesday, May 3, 1989 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue.
School of Music, Boston University
core
Johan Svendsen and Two‐Dimensional Sonata Form
ABSTRACT This article discusses progressive formal strategies in the music of Johan Svendsen (1840–1911). Svendsen is one of Norway's foremost composers of large‐scale orchestral music, but his works have so far garnered scant attention in Anglophone scholarship.
BJØRNAR UTNE‐REITAN
wiley +1 more source
Boston University Symphony Orchestra and Symphonic Chorus, November 22, 2004 [PDF]
This is the concert program of the Boston University Symphony Orchestra and Symphonic Chorus performance on Monday, November 22, 2004 at 8:00 p.m., at Symphony Hall, 301 Massachusetts Avenue. Works performed were "Nachtlied," Op. 108 by Robert Schumann, "
School of Music, Boston University
core
De Viti de Marco vs. Ricardo on public debt: self-extinction or default? [PDF]
The most prominent Italian theorist of the late 19th and early 20th centuries, Antonio de Viti de Marco, accepted David Ricardo’s proposition that an extraordinary tax and a public loan are equivalent.
Eusepi, Giuseppe, Wagner, RICHARD E.
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Middlebrow Aesthetics: An Explanation and Defense
ABSTRACT We offer a philosophical account of the middlebrow as a theoretical category to do explanatory and critical work in aesthetics. On our account, the middlebrow ought to be understood as aspirational popular art. That is, it is art which aspires both to be popular (in a distinctive sense), and at the same time to be something more than popular ...
Aaron Meskin, Jonathan M. Weinberg
wiley +1 more source
ABSTRACT This article develops an analytical framework for understanding regulators' struggles for legitimacy, highlighting tensions between two key sources: credibility and responsiveness. A regulator must earn credibility with actors around the regulatory arena, but organizational tools for credibility‐building, including codified rules and mobilized
Takuya Onoda
wiley +1 more source
Símbolo y forma: los hermanos Grimm en Richard Wagner
Este escrito estudia el cómo y el porqué de la presencia de los Cuentos de los Hermanos Grimm en la obra de Richard Wagner. Para dar un enfoque más concreto a esta reflexión el análisis se centra en Sigfrido, el drama musical de Wagner con más atmósfera ...
Miguel Salmerón Infante
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L’être collectif du peuple à l’épreuve du projet d’un théâtre national populaire de Wagner
The work of Richard Wagner – musical, poetic, political – has not ceased to provoke bitter controversy. It is to a lesser-known aspect of the "revolutionary" Richard Wagner that we consider here: the creation of a sublimated collective being associating ...
Guy Saez
doaj

