Results 1 to 10 of about 183,754 (222)

No-Touch Saphenous Vein Graft vs Radial Artery as an I-Composite Graft From the Right Internal Mammary Artery [PDF]

open access: yesAnnals of Thoracic Surgery Short Reports
Background: As an inflow source for an I-composite graft, the right internal mammary artery (RIMA) can be a valuable option for anaortic off-pump coronary artery bypass grafting (OPCAB); however, the optimal extension graft from the in situ RIMA remains ...
Ryohei Ushioda, MD   +6 more
doaj   +2 more sources

Right Internal Mammary Artery Perforation and Large Mediastinal Hematoma Formation as a Complication of Radial Access Coronary Angiography: A Case Report [PDF]

open access: yesClinical Case Reports
Perforation of the right internal mammary artery (RIMA) is an extremely rare vascular complication associated with the transradial approach (TRA) to coronary angiography. A 75‐year‐old woman presented with weakness.
Seyed Alireza Mirhosseini   +6 more
doaj   +2 more sources

Extracorporeal Right Internal Mammary Artery to Radial Graft for Minimally Invasive Total Arterial Coronary Bypass [PDF]

open access: yesAnnals of Thoracic Surgery Short Reports
Total arterial revascularization (TAR) may improve outcomes in coronary artery bypass grafting. However, the complexity of using in situ right internal mammary artery (RIMA), particularly in minimally invasive coronary artery bypass grafting, has limited
Gustavo A. Orellana-Sampedro, MD   +7 more
doaj   +2 more sources

Comparison of the right internal thoracic artery and radial artery as a second arterial conduit in ‘Y’ composite fashion in patients undergoing coronary artery bypass grafting using total arterial revascularization [PDF]

open access: yesJournal of Cardio-Thoracic Medicine, 2020
Introduction: The use of two arterial conduits for CABG is rapidly increasing. The second arterial conduit to LITA is usually RITA or radial artery. We sought to compare outcomes when either RITA or radial artery is exclusively used as a Y composite ...
Chaitanya Raut   +5 more
doaj   +1 more source

A method for benchmarking two different resilience assessment methods

open access: yesEcology and Society, 2022
Assessments of objective and subjective resilience are the main methods for understanding disaster preparedness and developing policy responses. However, the two assessment outcomes are not directly comparable.
Song Yong   +4 more
doaj   +1 more source

PROPOE (prose to poetry)

open access: yesLinguamática, 2023
A geração computacional do que pode ser concebido e reconhecido como "poesia verbal" é explorada, há muitas décadas, em muitas línguas naturais. Mas apenas projetos recentemente desenvolvidos possuem aplicação intensiva da computação, considerando ...
Ana Cleyge de Azevedo   +2 more
doaj   +1 more source

Slovenski verz od srednjega veka do Prešerna

open access: yesJezik in Slovstvo, 2020
Prispevek prikazuje metrični in kitični repertoar, ritmiko in rimo verskih pesmi od srednjega veka do konca 18. stoletja, latinske in nemške izvore tega repertoarja, mednarodnost cerkvenih pesmi, postopno preobrazbo iz silabičnega verznega sistema v ...
Aleksander Bjelčevič
doaj   +1 more source

Jenkova rima

open access: yesSlavistična Revija, 1979
Jože Toporišič
doaj   +1 more source

La disimilitud de lo similar: la rima de la octava real desde una perspectiva comparada, cuantitativa y funcional

open access: yesLiteratura: Teoría, Historia, Crítica, 2023
En el presente artículo nos proponemos revisar, apoyados en datos cuantitativos, un tema relevante tanto para la versología y la poética comparadas como para los estudios de la traducción. Inspirados en algunas ideas y observaciones de Mijaíl Gaspárov y
Anastasia Belousova   +2 more
doaj   +1 more source

La sonoridad de la culpa, malos presagios y escenas de horror: a propósito de la asonancia calderoniana en u-a

open access: yesRevista de Literatura, 2020
Este artículo trata de analizar las posibles semantizaciones de una determinada asonancia de Pedro Calderón de la Barca. Basándose en una base de datos de las asonancias del dramaturgo, se señala en qué momentos aparece la asonancia u-a y cómo crea ...
Simon Kroll
doaj   +1 more source

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