Results 61 to 70 of about 67,895 (201)
The afterlife of a tradition: European music and Irish literature in the nineteenth century
The presence of Irish literature in European art music of the nineteenth century has never been adequately explored. This presence, exemplified by Robert Schumann’s setting of Thomas Moore’s poem, Lalla Rookh (Das Paradies und die Peri, 1843), should be ...
Harry White
doaj +1 more source
Boston University Chamber Orchestra, September 29, 2014 [PDF]
This is the concert program of the Boston University Chamber Orchestra performance on Monday, September 29, 2014 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core
ABSTRACT Escalating concern regarding the impacts of reduced genetic diversity on the conservation of endangered species has spurred efforts to obtain chromosome‐level genomes through consortia such as the Vertebrate Genomes Project. However, assembling reference genomes for many threatened species remains challenging due to difficulties obtaining ...
S. Alvarez‐Costes +15 more
wiley +1 more source
Schumann Series Program III "Festive and Solemn Ceremonies" Boston University Symphonic Chorus and Symphony Orchestra, April 7, 1998 [PDF]
This is the concert program of the Schumann Series Program III "Festive and Solemn Ceremonies" Boston University Symphonic Chorus and Symphony Orchestra performance on Tuesday, April 7, 1998 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth ...
School of Music, Boston University
core
ABSTRACT This essay develops new perspectives on Nietzsche's complex relationship with Richard Wagner by including an area of conflict that is important for the overall picture but has been overlooked in research to date: the profound insult to Nietzsche's ambitions as a composer caused by the harsh, almost scathing criticism of the musician Hans von ...
Barbara Neymeyr
wiley +1 more source
Boston University Orchestras, October 17, 1987 [PDF]
This is the concert program of the Boston University Orchestras performance on Saturday, October 17, 1987 at 8:00 p.m., at the Concert Hall, 855 COmmonwealth Avenue. Works performed were Serenade in A major, Op. 16 by Johannes Brahms, and Symphony No.
School of Music, Boston University
core
Evaluation of Satellite‐Based Lightning NOx Columns Using In‐Cloud Aircraft Measurements
Abstract Lightning is the largest source of NOx in the upper troposphere, where it affects the distributions of tropospheric ozone, hydroxyl radical (OH), and methane. In this study, ozone monitoring instrument (OMI)‐based LNOx columns are evaluated using aircraft‐based columns from case studies during the Deep Convective Clouds and Chemistry (DC3 ...
Madilynn Seiler +4 more
wiley +1 more source
In Search of a Lost Composition by Beethoven: The Equale in A-LId-49 [PDF]
It is well known that in 1812 Ludwig van Beethoven composed the Three Equali for Four Trombones (WoO 30) for the Linz Cathedral Kapellmeister Franz Xaver Glöggl.
Bernhard Rainer
doaj
Faculty recital by Robert Gartside, tenor with Keith Humble, pianist, March 10, 1970 [PDF]
This is the concert program of Faculty Recital by Robert Gartside, tenor with Keith Humble, pianist on Tuesday, March 10, 1970 at 8:30 p.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
core
American Vocal Arts Quintet: An Evening of Lovesong Waltzes, February 14, 1987 [PDF]
This is the concert program of the American Vocal Arts Quintet performance on Saturday, February 14, 1987 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were I Gondolieri by Gioacchino Rossini, Soanisches Liederspiel, Op.
School of Music, Boston University
core

