Results 21 to 30 of about 108 (94)

Cinema of Rupture: Urbicide, Eastern European Rubble Films, and the Documentary Impulse

The Russian Review, Volume 83, Issue 1, Page 40-50, January 2024.
Abstract Currently in Ukraine, and previously in conflicts such as the Bosnian War (1992–96), local film collectives have expanded the mediation of wars to include the perspectives of those close to their subjects, foregrounding the participation of filmmakers in the wartime urban setting.
Zdenko Mandušić
wiley   +1 more source

La construcción visual y sonora de la imagen de San Francisco de Asís en el cine de mediados del siglo XX: entre Roma y Hollywood

Millars. Espai i Història
Se aborda la construcción de la imagen de San Francisco de Asís en el cine, a través del análisis comparativo de dos películas sobre el santo medieval: Francisco, juglar de Dios (Roberto Rossellini, 1950) y Francisco de Asís (Michael Curtiz, 1961 ...
Ángel Justo Estebaranz, Martina Forconi Baraldi   +1 more
doaj   +1 more source

Salvo D'Angelo produttore europeo

Schermi, 2018
Produttore dimenticato o spesso accusato di essere un avventuriero ambizioso e megalomane, Salvo D’Angelo fu piuttosto un imprenditore audace. In soli cinque anni (1947-1952) produsse una serie di capolavori come La terra trema, un film epico come ...
Barbara Corsi
doaj   +1 more source

Intertextuality and Mise en Abyme in Nobuhiro Suwa’s H Story and A Perfect Couple. Between European Modernity and Japan

Arts, 2018
Nobuhiro Suwa, often called “the most French of Japanese directors”, has a complex relationship with European cinematic modernity. His two feature films H Story (2001) and A Perfect Couple (2005) can provide useful case studies, as they were ...
Miguel Muñoz-Garnica
doaj   +1 more source

La divulgación de la modernidad cinematográfica en España: Roberto Rossellini y la prensa franquista

Estudios sobre el Mensaje Periodístico, 2017
Esta investigación analiza la fortuna crítica en la prensa española de dos films paradigmáticos de la modernidad cinematográfica: Roma, ciudad abierta (Roma città aperta, 1945) y Te querré siempre (Viaggio in Italia, Rossellini, 1954).
Ana Rodríguez Granell, Marta Piñol Lloret   +1 more
doaj   +1 more source

De la question formelle à la question du sens ?

Mise au Point, 2009
In a recent text, Edgar Morin reminded us that in preceding centuries those who were “cultured” read the great literary texts, not only for their ornamental value (as Rossellini would have said) but for the inspiration that they brought to one’s own life
Daniel Serceau
doaj   +1 more source

Naples, City of War: 1940-1948. An Urban Catastrophe Across Photography, Cinema, and Architecture

Histories of Postwar Architecture
As it is well-known, Naples was bombed by the Allies between 1940 and 1944 to liberate the city from Nazi occupation. As described by its 16th-century visitors, it was a distinctive and characteristic city whose peculiarities made it a symbol of scenic ...
Francesca Capano
doaj   +1 more source

Apresentação

Significação: Revista de Cultura Audiovisual, 2007
Começamos este número 27 de Significação com um pequeno texto de Greimas, "Acerca do jogo", que é ainda pouco conhecido internacionalmente. Em tradução anotada e comentada por J. C. Portela, o texto analisa o uso que se faz da analogia do jogo de xadrez
Os Editores
doaj   +1 more source

Shame as a geophilosophical force. [PDF]

Subjectivity, 2022
Wiame A.
europepmc   +1 more source

Dialogic gathering of films. Promoting meaningful online interactions during COVID-19 confinement. [PDF]

PLoS One, 2021
Padrós-Cuxart M, Rodrigues de Mello R, Ramis-Salas M, Duque E.   +3 more
europepmc   +1 more source