Results 21 to 30 of about 955,419 (118)
, 2020 Luca Caminati realiza em Roberto Rossellini, documentarista (Roma, Carocci, 2012) um percurso crítico de rara sutileza intelectual. Ele, na verdade, não é apenas o autor de uma brilhante monografia que visa - e consegue - traçar todas as fases da ...
Brunello, Yuri
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Les estratègies enunciatives d'un documental didàctic, el cas d' "India" de Roberto Rossellini [PDF]
, 2001 Les estratégles enunciatives d'un documental didáctic, el cas d7ndía de Roberto Rossellini. Analisi, 2001, núm. 27, p. 77-89. En el documental india, el gran cineasta italiá Roberto Rossellini va proposar una visió de la narrativa cinematográfica basada ...
Quintana Morraja, Angel
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Asvero Gravelli, auteur cinématographique du régime
Italies, 2015 Le présent article analyse l’image du combattant italien dans les films de guerre de la période fasciste par le biais du scénariste-auteur de sujet. Intermédiaire entre industrie cinématographique, pouvoir politique et milieux intellectuels, cette figure
Marie-France Courriol
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The White Ship (Roberto Rossellini, 1941) that heals the Blackshirts
Revista de Filología Románica, 2017 As US bombardments caused death and destruction, common people realized that the fascist ads of a quick war without penalty were a tragic governmental lie.
Ludovico LonghI
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Cinema of Rupture: Urbicide, Eastern European Rubble Films, and the Documentary Impulse
The Russian Review, Volume 83, Issue 1, Page 40-50, January 2024.Abstract Currently in Ukraine, and previously in conflicts such as the Bosnian War (1992–96), local film collectives have expanded the mediation of wars to include the perspectives of those close to their subjects, foregrounding the participation of filmmakers in the wartime urban setting.
Zdenko Mandušić
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Millars. Espai i HistòriaSe aborda la construcción de la imagen de San Francisco de Asís en el cine, a través del análisis comparativo de dos películas sobre el santo medieval: Francisco, juglar de Dios (Roberto Rossellini, 1950) y Francisco de Asís (Michael Curtiz, 1961 ...
Ángel Justo Estebaranz +1 more
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Salvo D'Angelo produttore europeo
Schermi, 2018 Produttore dimenticato o spesso accusato di essere un avventuriero ambizioso e megalomane, Salvo D’Angelo fu piuttosto un imprenditore audace. In soli cinque anni (1947-1952) produsse una serie di capolavori come La terra trema, un film epico come ...
Barbara Corsi
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Arts, 2018 Nobuhiro Suwa, often called “the most French of Japanese directors”, has a complex relationship with European cinematic modernity. His two feature films H Story (2001) and A Perfect Couple (2005) can provide useful case studies, as they were ...
Miguel Muñoz-Garnica
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La divulgación de la modernidad cinematográfica en España: Roberto Rossellini y la prensa franquista
Estudios sobre el Mensaje Periodístico, 2017 Esta investigación analiza la fortuna crítica en la prensa española de dos films paradigmáticos de la modernidad cinematográfica: Roma, ciudad abierta (Roma città aperta, 1945) y Te querré siempre (Viaggio in Italia, Rossellini, 1954).
Ana Rodríguez Granell +1 more
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De la question formelle à la question du sens ?
Mise au Point, 2009 In a recent text, Edgar Morin reminded us that in preceding centuries those who were “cultured” read the great literary texts, not only for their ornamental value (as Rossellini would have said) but for the inspiration that they brought to one’s own life
Daniel Serceau
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