Results 211 to 220 of about 14,222 (264)
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Abstract This chapter presents a review of the main bodies of Mesolithic rock art in Europe, from the earliest signs of post-Palaeolithic art to the lively scenes of Spanish Levantine art and the Late Mesolithic ‘rock art explosion’ in northern Europe.
Lahelma, Antti, Gjerde, Jan Magne
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Lahelma, Antti, Gjerde, Jan Magne
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Science, 2002
Two pieces of engraved red ochre from Blombos Cave, South Africa, dating to 77,000 years ago and displaying “motifs” evidencing the existence of “arbitrary conventions unrelated to reality-based cognition” are reported by Henshilwood et al. (“Emergence of modern human behavior: Middle Stone Age engravings from South Africa,” Reports, 15 Feb., p. [1278][
Jill Bullington, Steven R. Leigh
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Two pieces of engraved red ochre from Blombos Cave, South Africa, dating to 77,000 years ago and displaying “motifs” evidencing the existence of “arbitrary conventions unrelated to reality-based cognition” are reported by Henshilwood et al. (“Emergence of modern human behavior: Middle Stone Age engravings from South Africa,” Reports, 15 Feb., p. [1278][
Jill Bullington, Steven R. Leigh
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Australian Archaeology, 1999
This paper examines a range of features commonly found at rock art sites, that have conventionally been considered components of rock art, but which (as briefly outlined elsewhere [Rosenfeld 1993 :76-7, l997:29 l]) should be considered as a distinct cultural category.
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This paper examines a range of features commonly found at rock art sites, that have conventionally been considered components of rock art, but which (as briefly outlined elsewhere [Rosenfeld 1993 :76-7, l997:29 l]) should be considered as a distinct cultural category.
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2017
This chapter examines the how and why of rock art recording by focussing on the tools and recording strategies available to researchers as well as their strengths and weaknesses, with particular emphasis on the role of the digital revolution. The discussion overviews factors considered when recording rock art, along with some of the reasons that rock ...
Liam M. Brady +2 more
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This chapter examines the how and why of rock art recording by focussing on the tools and recording strategies available to researchers as well as their strengths and weaknesses, with particular emphasis on the role of the digital revolution. The discussion overviews factors considered when recording rock art, along with some of the reasons that rock ...
Liam M. Brady +2 more
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Azania: Archaeological Research in Africa, 2014
In this small-format pocketbook, David Lewis-Williams provides a summary of his career's research into the San (Bushman) rock art of southern Africa.
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In this small-format pocketbook, David Lewis-Williams provides a summary of his career's research into the San (Bushman) rock art of southern Africa.
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The South African Archaeological Bulletin, 1980
Jalmar Rudner, H. C. Woodhouse
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Jalmar Rudner, H. C. Woodhouse
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