Results 21 to 30 of about 1,831 (167)
Le terme de transparence, qui apparaît dans l’œuvre de Roland Barthes dès le Degré Zéro de l’écriture, dissimule une complexité inhérente à sa pensée de l’œuvre littéraire.
Marie-Jeanne Zenetti
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Political Fictionality: Vladislav Surkov and the Rise of the Authorial State
Abstract This article introduces the concept of political fictionality as a theoretical framework for analyzing the convergence of literary authorship and political power in Russia during the Putin era, using Vladislav Surkov—a longtime presidential advisor and ideologue as well as fiction writer under the pseudonym Natan Dubovitskii—as its principal ...
Ekaterina Vassilieva
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Embodied ethnographies: Entanglements in the Anthropocene
Abstract ‘Entanglements in the Anthropocene’ is an embodied exploration of the intersections of place, dance and lens‐based practices (photography and video). Lens‐based works discussed here result from collaborative research projects and grow from a shared curiosity about aesthetics in the Anthropocene and how to express entangled relationships with ...
Karen N. Barbour, Rodrigo Hill
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Da filiação do pesquisador à filiação do escritor
Neste artigo, fazemos uma narrativa da passagem de Roland Barthes da crítica para a escrita literária, a partir da análise das anotações manuscritas do seu seminário “A noção de idioleto”, oferecido em 1970-1971, na École de Hautes Études em Sciences ...
Claudia Amigo Pino
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Autofiction as relational mediation: A Ghost in the Throat and To Write as if Already Dead
Abstract Because of its exploration of the self and the resemblance to online styles of publishing, autofiction has been accused by certain scholars of reflecting neoliberal tendencies. Hans Demeyer and Sven Vitse have developed a more nuanced view on the relation between autofiction and neoliberalism.
Stijn De Cauwer
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Od autora do tłumacza i z powrotem. Uwagi na marginesie Rolanda Barthes’a
The text is an attempt to re-read Roland Barthes’ autobiographical book by its translator. The author is particularly focused on the tension between the subject and the language, on the identity split and on the reflection on the writing “I ...
Tomasz Swoboda
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El presente artículo propone un abordaje comparado de las diferentes visiones de la obra de Roland Barthes en la crítica literaria de Brasil, Argentina y Chile.
Claudia Amigo Pino
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A recepção de Barthes na França se distingue por sua dimensão afetiva (os primeiros comentadores de Barthes foram seus alunos) e pela presença dos arquivos em território nacional.
Claude Coste, Giovani T. Kurz
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Writing Against the Machine: Computational Authorship and Historical Writing
Abstract Historians generate knowledge through the labour of composition – through the friction between interpretation and evidence that makes claims open to scrutiny and challenge. This essay argues that when composition is bypassed, that structure disappears. Generative AI raises this issue in urgent fashion.
CHRISTOPHER GERTEIS
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Reading and relating with Frieda Fromm‐Reichmann and Joanne Greenberg
Critical Quarterly, EarlyView.
Joshua Pugh
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