Results 21 to 30 of about 360,305 (194)
Littérature / Enseignement. Entretien avec Roland Barthes
, 1975 Barthes Roland. Littérature / Enseignement. Entretien avec Roland Barthes . In: Pratiques : linguistique, littérature, didactique, n°5, 1975. pp.
Barthes, Roland
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Roland Barthes por Roland Barthes: entre la autobiografía y la autoficción
Anuario de Letras Modernas, 2018 El interés por examinar la autobiografía y caracterizarla como género literario aumentó en el siglo xx. En la primera mitad, se publicaron obras fundacionales, como las de Georg Misch y Georges Gusdorf.
Angélica Tornero
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Théâtres utopiques de Roland Barthes
Revista Criação & Crítica, 2021 L’œuvre de Roland Barthes oscille entre modernité et classicisme, pour autant, loin de considérer qu’il faille prendre parti et choisir sa propre conception de Roland Barthes, il s’agit de penser ce lien dans un rapport dynamique entre ces deux pôles au ...
Judith Cohen
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Variaciones sobre la escritura
Comunicación, 2022 Roland BARTHES Barcelona, Paidós ...
Domingo Gómez Abeja
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Barthes e a dimensão amorosa da escritura
Caligrama: Revista de Estudos Românicos, 2011 Uma leitura da retórica na Aula de Roland Barthes procurando captar, no texto, a estrutura da metonímica caraterística do desejo.Une lecture de la rhétorique dans la Leçon de Roland Barthes tentant d'y saisir la structure métonymique qui caractérise le ...
Dilma Castelo Branco Diniz
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What’s So Great About Roland Barthes?
, 2015 One hundred years after his birth, the work of Roland Barthes (1915–1980) remains compelling in a wide variety of fields and disciplines. The great power of his work resides, perhaps, in its radical plurality. Nevertheless, beneath such variation we find
Baldwin, Thomas +2 more
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Appareil, 2011 Le terme de transparence, qui apparaît dans l’œuvre de Roland Barthes dès le Degré Zéro de l’écriture, dissimule une complexité inhérente à sa pensée de l’œuvre littéraire.
Marie-Jeanne Zenetti
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Blankness in post‐post‐postmodern poetry
Orbis Litterarum, EarlyView.Abstract Jameson's “myth” identifies reification as the leading cause of cultural change. The myth also adumbrates the semiotic form of post‐postmodernism and post‐post‐postmodernism, which Jameson himself did not explore. One of the most extreme varieties of post‐post‐postmodern verse is the would‐be blank poem, pursued by Russian Futurists, Lettrists,
Shawn Normandin
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Roland Barthes and Camera Lucida
, 2022 Camera Lucida, is often seen as the terminal point for a certain mode of thinking about photography, perceived as initiating the end of structuralism and an era of semiotics to be replaced by forms of new criticism.
David Bate
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Political Fictionality: Vladislav Surkov and the Rise of the Authorial State
The Russian Review, EarlyView.Abstract This article introduces the concept of political fictionality as a theoretical framework for analyzing the convergence of literary authorship and political power in Russia during the Putin era, using Vladislav Surkov—a longtime presidential advisor and ideologue as well as fiction writer under the pseudonym Natan Dubovitskii—as its principal ...
Ekaterina Vassilieva
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