Results 41 to 50 of about 18,777 (204)
Narrative Horizons: Deliberate Derangement in Oceanic Climate Fiction
ABSTRACT Although we live in the Anthropocene—the geological age of humankind, wherein humans have measurably impacted the biosphere—we struggle to narrate the Anthropocene. In particular, we struggle to give narrative shape to its foremost feature: anthropogenic climate change.
Mark Celeste
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Abstract The analysis of Lenin’s language and rhetoric undertaken by the leading representatives of Russian Formalism in the pages of the journal LEF in early 1924 represents more than a tactical attempt to align Formalism with the mainstream of Bolshevik culture‐building in the context of the Soviet 1920s.
Alastair Renfrew
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Reading and relating with Frieda Fromm‐Reichmann and Joanne Greenberg
Critical Quarterly, EarlyView.
Joshua Pugh
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Snap Judgements: Turning Photography into Art in the Late Soviet Union
Abstract The history of photography and photography theory in the nineteenth and twentieth centuries is often preoccupied with “Western” criticism and arguments regarding the photograph as art, document, or technology. Yet, this criticism has ignored the development of photographic theory in the Soviet Union, particularly during the 1950s and 1960s ...
Jessica Werneke
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Handling Everyday Life: An Analysis of Ordinary Acting
ABSTRACT What does it mean to shape one's own everyday life and to be the author of one's ordinary acting with all its repetitions, anchored habits and well‐known practices? In this paper, I argue that moral philosophy should pay more attention to human agency in quotidian contexts.
Johannes Müller‐Salo
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Entre el estructuralismo y su post: modelos de significación en Roland Barthes
La obra de Roland Barthes se ha prestado a muy heterogéneas clasificaciones entre las que destacan aquellas que la adscriben al estructuralismo y al postestructuralismo.
R. García Murillo
doaj
Gesturing While Writing: An Alternate Perspective on Mimetic Prosody
Critical Quarterly, EarlyView.
Paul Magee
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ABSTRACT This article examines the use of promotional interviews (“promos”) in American professional wrestling of the 1980s. I argue that promos introduced a vocal modality into a form of sports entertainment that, as Roland Barthes ([1957] 1972) showed in Mythologies, had always been dominated by visual spectacle. I then undertake a focused linguistic
Jens Kjeldgaard‐Christiansen
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Gaillard Françoise. Barthes juge de Roland. In: Communications, 36, 1982. Roland Barthes. pp.
Gaillard, Françoise
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