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Roman Ingarden's Spaces of the Word. Part 1
Tematy i KontekstyThe article delves into the literary oeuvre of Roman Ingarden, the prominent Polish phenomenologist, philosopher, aesthetician, and literary theorist.
D. Ulicka
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Revue Philosophique de Louvain, 1970
Van Breda Herman Leo. In memoriam Roman Ingarden. In: Revue Philosophique de Louvain. Troisième série, tome 68, n°99, 1970. pp. 423-426.
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Van Breda Herman Leo. In memoriam Roman Ingarden. In: Revue Philosophique de Louvain. Troisième série, tome 68, n°99, 1970. pp. 423-426.
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2009
The foundations of Ingarden’s aesthetics were formed in the context of his polemic with edmund husserl’s transcendental idealism (Ingarden 1929). The critical function and productive employment of the phenomenological method determines the autonomy and theoretical relevance of his aesthetics.
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The foundations of Ingarden’s aesthetics were formed in the context of his polemic with edmund husserl’s transcendental idealism (Ingarden 1929). The critical function and productive employment of the phenomenological method determines the autonomy and theoretical relevance of his aesthetics.
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Roman Ingarden’s Literary Theory
1976Ingarden was one of the closest and most devoted disciples of Edmund Husserl.1 But this does not mean that he submitted completely to his teacher’s thinking It is characteristic of the ‘phenomenological school’ and at the same time to a much lesser degree tragic that Husserl did not have disciples who were willing to continue directly on his path ...
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Roman Ingarden’s Moral Philosophy
1976Two publications of Roman Ingarden deal directly and exclusively with ethical problems: ‘An Inquiry into Moral Values’1 (this is almost an exact record of one of his lectures on ethics held at the Jagiellonian University in 1961/62) and Ueber die Verantwortung 2 (an extended version of his lecture delivered at the International Philosophical Congress ...
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Der Brief an Husserl über die VI. Untersuchung und den Idealismus (Ende Juli 1918)
, 1998R. Ingarden +3 more
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