Roman Ingarden on Ontology of Fictional Objects [PDF]
Fictional objects like “Hamlet” or “Rostam” pose many problems for Logicians and thinkers theorizing about perception. The problem lies in the fact that, on the one hand, we think and speak about these objects and, on the other hand, we can’t find them ...
Vahid Gholamipour fard
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Roman Ingarden’s Ontology of Music and Literary Work of Art [PDF]
Roman Ingarden (1893-1970) is considered as the founder of ontology of art. Having been influenced by Husserl phenomenological doctrines, Ingarden argues that work of art and aesthetic object are ontologically two different entities.
Mohammad reza Abolghassemi
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Za obrazem: teorie obrazu Romana Ingardena a význam abstraktního umění
The study interprets the meaning of abstract art, taking into consideration the phenomenological investigations of the Polish philosopher Roman Ingarden. In 1958, Ingarden drew attention to a specific method of the constitution of a non-representational,
Murár, Tomáš
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Pojetí významu u Ingardena a Mukařovského: Vliv, inspirace, či autonomní cesty? | The Concept of Meaning as Coined by Roman Ingarden and Jan Mukařovský: Influence, Inspiration, or Autonomous Paths? [PDF]
Concepts associated with the Structuralism of the Prague School are usually considered to respond to trends in continental philology, philosophy, and aesthetics of the 1920s and 1930s.
Petr A. Bílek
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Dynamic types of artistic image: Roman Ingarden’s phenomenology and literary theory
The article is devoted to the question of some data obtained by Polish philosopher Roman Ingarden, and primarily to his study of the literary work of art. Development upon Ingardens ideas is associated with use of Russian authors which are rarely treated
Anastasia A. Aksenova
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Social Ontology in the View of Roman Ingarden's Philosophy
W ontologii społecznej prowadzi się dociekania nad tym, jak istnieją fakty społeczne i instytucjonalne, czym jest grupa społeczna, czy intencjonalność kolektywna.
Artur Kosecki
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Zofia Lissa vs Roman Ingarden. Sprawa tożsamości dzieła muzycznego
Artykuł stanowi krytyczną rekonstrukcję polemiki muzykolożki Zofii Lissy z filozofem Romanem Ingardenem z 1966 roku dotyczącą ontologii dzieła muzycznego.
Karolina Kolinek-Siechowicz +1 more
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Roman Ingarden’s Theory of the Literary Work of Art: A Cognitive Grammar Reassessment
Based on Langacker’s conception of grouping , the paper reformulates the basic assumptions of Ingarden’s theory of the literary work of art in terms of the Cognitive Grammar approach.
Henryk Kardela +2 more
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Ontological Aspects of the Literary Work of Art in Roman Ingarden and Nicolai Hartmann [PDF]
The aesthetics of Roman Ingarden and Nicolai Hartmann are phenomenological in the Husserlian sense of the term. Although both Ingarden as well as Hartmann owe their ideas to Husserl, each of them worked independently of the other and provided different ...
Sazan Kryeziu
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