Results 11 to 20 of about 2,797 (264)
Roman Imperial Portraits Dataset (ripd)
Research Data Journal for the Humanities and Social Sciences, 2022 Portraits of the Roman emperors have been a focal point in the study of the ancient world. However, questions on how this medium developed over time and/or how perceptions of the emperor changed over more than four centuries of imperial rule, are constrained by the availability and accessibility of the material.
Heijnen, Sam +2 more
core +6 more sources
The Marble of Roman Imperial Portraits
ASMOSIA XI, Interdisciplinary Studies on Ancient Stone, Proceedings of the XI International Conference of ASMOSIA, 2018 The marble provenance of 163 Roman Imperial portraits, stretching approximately over 500 years, has been established with the purpose of obtaining quantitative, diachronic data on the use of sculptural marbles in Roman times. The overall result shows that Göktepe was the most widely used variety (45%) followed at a great distance by the Parian ...
Attanasio, Donato +3 more
openaire +5 more sources
Mummy Portraits of Roman Egypt
, 2020 This publication presents fascinating new findings on ancient Romano-Egyptian funerary portraits preserved in international collections. Once interred with mummified remains, nearly a thousand funerary portraits from Roman Egypt survive today in museums around the world, bringing viewers face-to-face with people who lived two thousand years ago.
Cartwright, Caroline, Svoboda, Marie
core +4 more sources
Biometric Portraits of Emperors on the Roman Coins [PDF]
SSRN Electronic Journal, 2018 Here we want to show that the Romans used some biometric measurements when they struck the portraits of their Emperors on coins. That is, the Roman coins were made considering some measurements to give a truthful portrait of the Roman leaders.
Sparavigna, Amelia Carolina +1 more
openaire +4 more sources
The Young Lady in Pink. New Light on the Life and Afterlife of an Ancient Portrait
Studies in Ancient Art and Civilization, 2022 A Roman-Egyptian mummy portrait of a young woman in a pink tunic is part of the Allard Pierson collection in Amsterdam. The portrait is well-known and a key piece of the collection, but has received little scholarly attention so far.
Jan M. van Daal +1 more
doaj +1 more source
Roman sculptural portrait and votive portrait of the Roman republic time (preliminary comparative data on composite portraits) [PDF]
Moscow University Anthropology Bulletin (Vestnik Moskovskogo Universiteta. Seria XXIII. Antropologia), 2021 The materials for the composite portraits were images from electronic antique collections of museums, image banks and catalogs. To obtain visual images of the studied groups, the composite portrait method was used in a digital program. Results and discussion.
openaire +1 more source
.Finding Nero: shining a new light on Romano-British sculpture
Internet Archaeology, 2013 This article discusses the use of 3D laser scanning as an objective means to record and identify damaged Roman portraits in stone, in this case three mutilated images recovered from Romano British contexts that can now be identified as being of the fifth
Miles Russell, Harry Manley
doaj +1 more source
New Evidence about the Polychromy of Early Imperial Cycle from the Augusteum of Rusellae (Tuscany)
Heritage, 2023 This study is concerned with recent analyses of seven marble statues from the imperial cycle of the Augusteum of Rusellae, in the south of Tuscany, Italy.
Paolo Liverani +4 more
doaj +1 more source
Roman Ingarden. Portrait of a Teacher [PDF]
, 2020 Roman Ingarden "learned" in a different cultural atmosphere, shaped according to traditional patterns and values. First it was a family home, then a middle school and finally a university. In every period, at every level of education, Ingarden had his masters who were role models in life and work, and whom he could imitate in the dimensions of personal
openaire +2 more sources
RIHA Journal, 2020 The seventeenth-century Sala dei Viceré of the Royal Palace in Naples, currently known as the Salone d’Ercole, derived its original name from the full-length portraits of the Spanish viceroys who governed the city of Naples for two centuries.
Ilaria Telesca
doaj +1 more source