Results 61 to 70 of about 1,007,202 (257)
The Trajanic Tondo from Roman Ankara: In search of the identity of a Roman Masterpiece [PDF]
Ankara Araştırmaları Dergisi, 2014 A magnificent Roman bronze tondo, now in the Museum of Anatolian Civilizations, which displays an elderly male figure, was excavated in the Ulus area of Ankara in 1947, and identified as a portrait of the Roman emperor Trajan.
Stephen Mitchell
doaj
Studia Judaica, 2023 “And She Stretched Him on a Pin Like a Butterfly...”: Revolutionary Jewish Women in Polish Antisemitic Prose of the First Half of the Twentieth Century After the revolution of 1905, revolutionary ...
Małgorzata Domagalska
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Roman Republican Portraits Of Veristic Style In Anatolia [PDF]
, 2016 Yunan dünyasının fethiyle beraber, özellikle MÖ 1. yüzyılda, tüm Akdeniz’de olduğu gibi Anadolu’da da “Cumhuriyet Dönemi portresi” olarak adlandırılan gerçekçi portreler görülmeye başlanmıştır.
core
The Momentum of ‘Developed’: Bodies of Water, Aging Bodies and Malta's Interventions at the UN
History, EarlyView.Abstract Histories of major powers continue to shape how many scholars conceptualize internationalism. By focusing on Malta's interventions at the UN challenges, this article challenges such narrative. In particular, it examines Arvid Pardo's 1967 petition that the seabed be reconceived and protected as the ‘common heritage of mankind’ and Vincent ...
Brianne Wesolowski
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State of the Field: Scientific Internationalism during the Cold War
History, EarlyView.ABSTRACT This article offers a state‐of‐the‐field assessment of the historiography of scientific internationalism during the Cold War, focusing on three connected problems: the reconceptualization of science diplomacy, the emergence of ‘techno‐dissent’ and the ethical turn in the history of science and technology.
Doubravka Olšáková
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The British Journal of Sociology, EarlyView.ABSTRACT How are capital and the family interconnected in contemporary capitalism? In this article, we argue that they come together in owning relations. By owning capital across generations, families bridge the temporal gap between the durability of capital and the finite lifespan of private property holders and thus resolve the problem of bona ...
Jens Beckert, Isabell Stamm
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Vilniaus universiteto profesorius – Balzaco herojaus prototipas. Le professeur de l’Université de Vilnius – prototype d’un personnage de Balzac [PDF]
Literatūra (Vilnius), 2009 Le point de départ de notre analyse – une lettre d’ Honoré de Balzac à sa soeur dans laquelle l’écrivain français mentionne Joseph Frank, médecin et professeur de l’université de Vilnius, comme prototype du héros de son roman Le médecin de campagne ...
Nijolė Vaičiulėnaitė-Kašelionienė
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The British Journal of Sociology, EarlyView.ABSTRACT Within classical sociological accounts of capitalism, families are curious remnants of the past. Contemporary elite sociology dismisses the family in a different way: by primarily focusing on individual men. When the family does appear within elite studies, scholars frequently follow a stratification framework, which focuses on the ...
Shamus Khan, Max Besbris, Estela Diaz
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LE RÔLE DES ÉPITHÈTES DE COULEUR DANS LE PORTRAIT LITTÉRAIRE DANS LE ROMAN « MONT-ORIOL » DE MAUPASSANT [PDF]
Studii si Cercetari Filologice: Seria Limbi Straine Aplicate, 2011 The object of present article is researching of creation of characters’s images bythe colour adjectives to describe physical, moral, emotional and psychological portraits in Maupassant’s novel “Mont-Oriol”. In this study the notion of portrait is limited
Ludmila Prenko, Chouana Mikatova
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Layered abandonment: The moral interpretation of suffering in extreme confinement
Criminology, EarlyView.Abstract Loss and rejection are central to prison life, yet how they crystallize into a more general sense of abandonment remains under‐theorized. Drawing on 64 interviews with men held in prolonged self‐isolation or serving indeterminate forvaring sentences in Denmark, we conceptualize abandonment not simply as hardship but as suffering plus ...
Frederik Rom Taxhjelm, Julie Laursen
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