Results 41 to 50 of about 8,459 (195)

Remembering Rossellini’s Open City: Five Minutes That Defined Neorealism

open access: yesInternational journal of humanities and social sciences
- This commentary on Roberto Rossellini’s Rome, Open City (1945) situates the film as a pre-eminent pillar of the Italian Neorealist movement, providing extensive cultural context as a means of appraising the documentarian intentions behind the work.
Sabina Craciun Panicker
semanticscholar   +1 more source

Tra cielo e vulcano: sui confini tematici e stilistici in Stromboli di Roberto Rossellini

open access: yesBetween, 2011
This article is focused on a film by Roberto Rossellini, Stromboli (1949) whose title comes from the island, off the northwest coasts of Sicily, on which the film is set.
Vincenzo Maggitti
doaj   +1 more source

Scandal, motherhood and Mina in 1960s Italy [PDF]

open access: yes, 2017
Celebrity scandals are a useful tool to reveal the pervasiveness of expected ways of behaving within a particular culture or society. Italy of the early 1960s was particularly marked by these kinds of scandals, including that of singer Mina's pregnancy ...
Haworth, Rachel
core   +1 more source

Cinema of Rupture: Urbicide, Eastern European Rubble Films, and the Documentary Impulse

open access: yesThe Russian Review, Volume 83, Issue 1, Page 40-50, January 2024.
Abstract Currently in Ukraine, and previously in conflicts such as the Bosnian War (1992–96), local film collectives have expanded the mediation of wars to include the perspectives of those close to their subjects, foregrounding the participation of filmmakers in the wartime urban setting.
Zdenko Mandušić
wiley   +1 more source

Asvero Gravelli, auteur cinématographique du régime

open access: yesItalies, 2015
Le présent article analyse l’image du combattant italien dans les films de guerre de la période fasciste par le biais du scénariste-auteur de sujet. Intermédiaire entre industrie cinématographique, pouvoir politique et milieux intellectuels, cette figure
Marie-France Courriol
doaj   +1 more source

Naples, City of War: 1940-1948. An Urban Catastrophe Across Photography, Cinema, and Architecture

open access: yesHistories of Postwar Architecture
As it is well-known, Naples was bombed by the Allies between 1940 and 1944 to liberate the city from Nazi occupation. As described by its 16th-century visitors, it was a distinctive and characteristic city whose peculiarities made it a symbol of scenic ...
Francesca Capano
doaj   +1 more source

The gaps of cinema

open access: yesNECSUS, 2012
I did receive a prize once. It was the first, after leaving the lycée a long time ago. But the country that awarded it to me for my book FILM FABLES also happened to be Italy.
Jacques Rancière
doaj   +1 more source

De Roberto Rossellini à Gilles Carle : la réalité par la parole

open access: yesNouvelles vues: Revue sur les pratiques, les théories et l'histoire du cinéma au Québec, 2018
Résumé La question des dialogues pour un cinéma qui vise une forme de révélation de la réalité peut constituer un point de divergence entre les réalisateurs, au regard des pratiques cinématographiques.
Sylvie Dubois
semanticscholar   +1 more source

Restos de aura en los viejos escenarios de rodaje: la recreación de secuencias cinematográficas en la narrativa española contemporánea

open access: yesAnales de Literatura Española, 2023
Este artículo analiza y compara cuatro obras narrativas de la literatura española del siglo xxi –el relato «Un recorrido por los monumentos de La aventura», recogido en El hacedor (de Borges).
Teresa Gómez Trueba
doaj   +1 more source

Objetividad y narración: emergencias de la verdad [PDF]

open access: yes, 2009
El origen del neorrealismo italiano proviene de la resistencia cultural al fascismo y de su atracción por el modelo literario americano en la década de los treinta y cuarenta.
Ferrando García, Pablo
core   +1 more source

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