Results 31 to 40 of about 8,078 (219)

The dream of a carnival night. The grotesque miracles of Valle-Inclán and Fellini

Finzioni, 2022
In 1948, a young screenwriter named Federico Fellini wrote the main argument on which Rossellini based his medium-length film Il Miracolo. After the screening, an accusation of plagiarism was brought upon the film.
Manuela Partearroyo
doaj   +1 more source

In Pompeii and Volterra the Earth Really Trembles: De-Territorialisation, European Art-Cinema, and the Fate of Neorealism in Roberto Rossellini's Journey to ltaly and Luchino Visconti's Sandra

Significação: Revista de Cultura Audiovisual, 2007
Este trabalho se utiliza de dois estudos de caso - Viagem to Italy (1953), de Roberto Rossellini e Sandra (1965), de Luchino Visconti para discutir questões políticas, historiográficas e estéticas [que interferem] no relacionamento entre o neo-realismo ...
Stefano Ciammaroni
doaj   +1 more source

Roberto Rossellini Presents [PDF]

, 2017
The history films of Roberto Rossellini are often understood as a generally consistent aesthetic and political project, of which the long take forms a part. This chapter instead closely examines La Prise de pouvoir par Louis XIV (1966) as a film in which the long take accrues a particularly intense and complex set of meanings, based on the specific ...
openaire   +1 more source

Il territorio delle Lipari tra ambiente, cinema e turismo / The territory of Lipari between environment, cinema and tourism

Il Capitale Culturale: Studies on the Value of Cultural Heritage, 2016
Fino agli anni ’50 le Lipari (dette anche Eolie), sfavorite dall’insularità e con un’economia di sussistenza, basata su attività tradizionali, erano dominate da povertà ed emigrazione.
Elena Di Blasi, Alessandro Arangio
doaj   +1 more source

Womanliness as animal masquerade

NECSUS, 2017
This essay examines the intersection of femininity as masquerade and the status of the animal through an investigation of two examples: the film DONKEY SKIN by Jacques Demy and the web series GREEN PORNO by Isabella Rossellini.
Isabelle Freda
doaj   +1 more source

La fucilazione di don Giuseppe Morosini: cronaca, storia, finzione

Schermi, 2020
The article presents a mapping of the countless different discourses concerning don Giuseppe Morosini’s death, which is represented in the final shot of "Roma città aperta" (“Rome, Open City”) (Rossellini, 1945).
Benedetta Pini
doaj   +1 more source

Filmowe wizerunki Joanny d’Arc. Ilustracja etapów rozwoju światowej kinematografii

Kwartalnik Filmowy, 2001
Płażewski omawia sposoby portretowania Joanny d’Arc w 18 filmach powstałych w XX w. Poszczególne filmy analizowane są w szerszym kontekście kolejnych faz rozwoju kinematografii.
Jerzy Płażewski
doaj   +1 more source

El Delta del Po en la cinematografía italiana de los años 40 y 50: Visconti, Rossellini, De Santis, Antonioni y Casadio

Arte, Individuo y Sociedad, 2022
El presente artículo estudia las relaciones entre paisaje y cine. Trata de cinco autores confrontados a un mismo lugar. Patrimonio mundial de la humanidad (UNESCO), el Delta del Po se ha erigido como el Genius Loci ideal para la cinematografía italiana ...
Iván Moure-Pazos
doaj   +1 more source

Ruines, décombres, chantiers, archives : l’évolution d’une figure dans le cinéma en Allemagne (1946-1993) [PDF]

, 2007
Dans le présent article, l’auteur se penche sur le rôle qu’occupent les « ruines » en tant que figure privilégiée de la médiation cinématographique de la mémoire de l’après-guerre en Allemagne, de Die Mörder sind unter uns (Wolfgang Staudte, 1946) et d ...
Habib, André
core   +1 more source

Filming Concepts, Thinking Images: On Wonder, Montage and Disruption in an Image-Saturated World

Eidos. A Journal for Philosophy of Culture, 2022
This article explores the relation between cinema and philosophy through the lens of interest shown by some filmmakers in the lives and works of philosophers.
Vania Baldi, Nélio Conceição
doaj   +1 more source