Results 31 to 40 of about 162 (140)
NECSUS, 2012 I did receive a prize once. It was the first, after leaving the lycée a long time ago. But the country that awarded it to me for my book FILM FABLES also happened to be Italy.
Jacques Rancière
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The White Ship (Roberto Rossellini, 1941) that heals the Blackshirts
Revista de Filología Románica, 2017 As US bombardments caused death and destruction, common people realized that the fascist ads of a quick war without penalty were a tragic governmental lie.
Ludovico LonghI
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Anales de Literatura Española, 2023 Este artículo analiza y compara cuatro obras narrativas de la literatura española del siglo xxi –el relato «Un recorrido por los monumentos de La aventura», recogido en El hacedor (de Borges).
Teresa Gómez Trueba
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Millars. Espai i HistòriaSe aborda la construcción de la imagen de San Francisco de Asís en el cine, a través del análisis comparativo de dos películas sobre el santo medieval: Francisco, juglar de Dios (Roberto Rossellini, 1950) y Francisco de Asís (Michael Curtiz, 1961 ...
Ángel Justo Estebaranz +1 more
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La divulgación de la modernidad cinematográfica en España: Roberto Rossellini y la prensa franquista
Estudios sobre el Mensaje Periodístico, 2017 Esta investigación analiza la fortuna crítica en la prensa española de dos films paradigmáticos de la modernidad cinematográfica: Roma, ciudad abierta (Roma città aperta, 1945) y Te querré siempre (Viaggio in Italia, Rossellini, 1954).
Ana Rodríguez Granell +1 more
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Journal of Venomous Animals and Toxins including Tropical Diseases, 2005 The aim of this study was to evaluate the morphology of the species Sticholecitha serpentis Prudhoe, 1949 by means of histological procedures. Helminths were previously fixed in Railliet & Henry solution, uncompressed and were included in 2-hydroxyethyl ...
TB. Silva +3 more
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De la question formelle à la question du sens ?
Mise au Point, 2009 In a recent text, Edgar Morin reminded us that in preceding centuries those who were “cultured” read the great literary texts, not only for their ornamental value (as Rossellini would have said) but for the inspiration that they brought to one’s own life
Daniel Serceau
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Salvo D'Angelo produttore europeo
Schermi, 2018 Produttore dimenticato o spesso accusato di essere un avventuriero ambizioso e megalomane, Salvo D’Angelo fu piuttosto un imprenditore audace. In soli cinque anni (1947-1952) produsse una serie di capolavori come La terra trema, un film epico come ...
Barbara Corsi
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Viaggo nella realtá… La mirada diáfana del cristianismo: Rossellini y Zubiri
Miscelánea Comillas, 2016 This simple research intends to rethink what Zubiri understood by Christianity in the light of the intuition that moved him all through his life, that is, the character of diaphanousness (transcendence).
Ricardo A. Espinoza Lolas
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