Results 41 to 50 of about 8,078 (219)
Notes on the end of 'Rome Open City' [PDF]
, 2018 Among the most iconic images in world cinema, the final shot of Roberto Rossellini’s Rome Open City has inspired an effusion of critical commentary that bespeaks not only its cinematic significance but also its historical resonance.
Leavitt, Charles
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Les Estratègies enunciatives d'un documental didàctic, el cas d'India de Roberto Rossellini [PDF]
, 2001 En el documental Índia, el gran cineasta italià Roberto Rossellini va proposar una visió de la narrativa cinematogràfica basada en la recerca de la transparència, en la qual les imatges tenien com a funció la transmissió d'idees.
Quintana, Àngel
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Meteorological Applications, Volume 32, Issue 3, May/June 2025.This study uses a water–energy balance model together with satellite and ground meteorological data to evaluate Surface Urban Heat Island, and the effects of urban greening in Milano, Italy. Running the model on a 500by500 m grid, we demonstrate that a 10 % increase in green cover reduces mean Land Surface Temperature by 0.26 °C, so foreseeing large ...
Sonia Morgese +3 more
wiley +1 more source
Cinema of Rupture: Urbicide, Eastern European Rubble Films, and the Documentary Impulse
The Russian Review, Volume 83, Issue 1, Page 40-50, January 2024.Abstract Currently in Ukraine, and previously in conflicts such as the Bosnian War (1992–96), local film collectives have expanded the mediation of wars to include the perspectives of those close to their subjects, foregrounding the participation of filmmakers in the wartime urban setting.
Zdenko Mandušić
wiley +1 more source
Asvero Gravelli, auteur cinématographique du régime
Italies, 2015 Le présent article analyse l’image du combattant italien dans les films de guerre de la période fasciste par le biais du scénariste-auteur de sujet. Intermédiaire entre industrie cinématographique, pouvoir politique et milieux intellectuels, cette figure
Marie-France Courriol
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Le paysage de l’expérience [PDF]
, 2001 Dans une tradition qui va de Rossellini à Antonioni et Pasolini, le cinéma d'Amelio bouleverse l'espace-temps moderne pour réécrire l'histoire en tant qu'histoire des gens ordinaires.
Mariniello, Silvestra
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Naples, City of War: 1940-1948. An Urban Catastrophe Across Photography, Cinema, and Architecture
Histories of Postwar ArchitectureAs it is well-known, Naples was bombed by the Allies between 1940 and 1944 to liberate the city from Nazi occupation. As described by its 16th-century visitors, it was a distinctive and characteristic city whose peculiarities made it a symbol of scenic ...
Francesca Capano
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NECSUS, 2012 I did receive a prize once. It was the first, after leaving the lycée a long time ago. But the country that awarded it to me for my book FILM FABLES also happened to be Italy.
Jacques Rancière
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Anales de Literatura Española, 2023 Este artículo analiza y compara cuatro obras narrativas de la literatura española del siglo xxi –el relato «Un recorrido por los monumentos de La aventura», recogido en El hacedor (de Borges).
Teresa Gómez Trueba
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'I think Catholics didn't go to the cinema': Catholic film exhibition strategies and cinema-going experiences in Belgium, 1930s-1960s [PDF]
, 2015 Article on the Belgian Catholics and ...
Biltereyst, Daniël
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