Results 11 to 20 of about 162 (140)
Il medioevo di Francesco giullare di Dio
Doctor Virtualis, 2008 Francesco d'Assisi come spunto, nel film di Rossellini, per una riflessione sui temi della marginalità sociale e dell'anticonformismo.
Tomaso Subini
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Fotocinema: Revista Científica de Cine y Fotografía, 2023 Roma ciudad abierta no solo es considerada una película que retrata la resistencia italiana y que promueve la propaganda antifascista, sino que, además, representa un ejemplo del estilo rosselliniano, de su forma de captar la realidad en su crudeza. Una
Andrea Donofrio, Ángel L. Rubio Moraga
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The Johnson Noise in Biological Matter
Mathematical Problems in Engineering, Volume 2012, Issue 1, 2012., 2012 Can a very low intensity signal overcome a disturbance, the power density of which is much higher than the signal one, and yield some observable effects? The Johnson noise seems to be a disturbance so high as to cause a negative answer to that question, when one studies the effects on the cell level due to the external ELF fields generated by electric ...
Massimo Scalia +3 more
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Schermi, 2020 This essay is an examination of two famous star scandals of the Fifties: the extramarital affair of Ingrid Bergman with Roberto Rossellini and that of Sophia Loren with Carlo Ponti.
Maria Elena D'Amelio
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The dream of a carnival night. The grotesque miracles of Valle-Inclán and Fellini
Finzioni, 2022 In 1948, a young screenwriter named Federico Fellini wrote the main argument on which Rossellini based his medium-length film Il Miracolo. After the screening, an accusation of plagiarism was brought upon the film.
Manuela Partearroyo
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Significação: Revista de Cultura Audiovisual, 2007 Este trabalho se utiliza de dois estudos de caso - Viagem to Italy (1953), de Roberto Rossellini e Sandra (1965), de Luchino Visconti para discutir questões políticas, historiográficas e estéticas [que interferem] no relacionamento entre o neo-realismo ...
Stefano Ciammaroni
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Roberto Rossellini Presents [PDF]
, 2017 The history films of Roberto Rossellini are often understood as a generally consistent aesthetic and political project, of which the long take forms a part. This chapter instead closely examines La Prise de pouvoir par Louis XIV (1966) as a film in which the long take accrues a particularly intense and complex set of meanings, based on the specific ...
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Il Capitale Culturale: Studies on the Value of Cultural Heritage, 2016 Fino agli anni ’50 le Lipari (dette anche Eolie), sfavorite dall’insularità e con un’economia di sussistenza, basata su attività tradizionali, erano dominate da povertà ed emigrazione.
Elena Di Blasi, Alessandro Arangio
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Womanliness as animal masquerade
NECSUS, 2017 This essay examines the intersection of femininity as masquerade and the status of the animal through an investigation of two examples: the film DONKEY SKIN by Jacques Demy and the web series GREEN PORNO by Isabella Rossellini.
Isabelle Freda
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De Rossellini a Rossellini: dois processos de criação que se sobrepõem
Manuscrítica, 2021 O cineasta italiano Roberto Rossellini foi, de todos os cineastas neorrealistas, quem levou ao cinema de ficção a estética documental em sua maior radicalidade. Em sua “trilogia da guerra”, constituída por Roma, cidade aberta, Paisà e Alemanha, ano zero,
Isabel Rebelo Roque
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