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In recent years, Geography has seen a rebirth of interest and appreciation of ruins, abandoned and neglected spaces of industrial modernity. This work has often emphasised the sensuousness of the material contextualisation of industrial ruins largely in terms of the phenomenological experience of decay, disorder and blight, or the affective elements of
Miller, Vincent, Garcia, Gonzalo
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Dans les interstices et les plis du tissu urbain, une « microruine »
In May 2021, the association Va Jouer Dehors based in Marseilles mobilized teams of practitioners, teachers and student ambassadors from six cities in France to form “the world’s largest international architecture agency”.
Anne Jauréguiberry, Mathieu Tremblin
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The Ruin as Memorial – The Memorial as Ruin [PDF]
The ruin allows for a visualization of different forms of mourning: we mourn loss, death, decay and destruction; man-made and natural catastrophes; humanity’s futile and successful attempts to master nature; and nature’s indifference to humans and their cruelty against one another.
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Foncel, Jérôme, Treich, Nicolas, N.
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Digital recording of historic buildings and sites in mountainous areas could be challenging. The paper considers and discusses the case of historical defensive structures in the Italian Alps, designed and built to be not accessible.
Luigi Barazzetti +3 more
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This article takes as its starting point Bruno Latour’s reflections on the dereliction of theological discourse in contemporary culture. Acknowledging that theologians seek to avoid the question of how what “once had so much meaning [has] become absolutely meaningless,” it frames its reflections around John 2:19 and seeks to develop a “theopoetics of ...
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Around Ruins: Some Notes on Feminist and Decolonial Conversations in Aesthetics
Although using different strategies, Portuguese artists Mónica de Miranda and Filipa César make us think about and reflect on the ruins of the Portuguese ‘empire’ but also on the ruins—and the remains—of European colonialism and its patriarchal backbone.
Márcia Oliveira
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Objectives: As cultural places, museums and ruins are inseparable parts of the creation process of cultural and historical identity. The cultural heritage products covered by museums and ruins can be thought as a representation of a community and its ...
Mustafa Agah Tekindal, Semanur Öztemiz
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Les ruines sont-elles nécessaires ?
Archaeology has to face the ruins, any kind of the traces of the successive human cultures. From the beginning of what is called antiquarianism, preservation of the relics of the past is a moral and scientific necessity.
Alain Schnapp
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