Results 41 to 50 of about 1,907 (223)
On postmodernism, “the stairs of avant-garde”, and Brodsky
This article attempts to analyse Russian postmodernist poetics, proceeding from the concept of the “trans-semiotic stairs”, as presented by J. Faryno for describing the avant-garde.
Ülle Pärli
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‘Así Somos’: Cuba's Changing Youth Culture in the Magazine Somos Jóvenes
ABSTRACT This article analyses the content and discourse of long‐running Cuban youth magazine, Somos Jóvenes, in the periods 1977–1984 and 1989–2003, to better understand the identities, experiences and place within the revolutionary project of two generations of young people.
Anne Luke, Rosi Smith
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OBERIU’s Absurd Object and the Poetics of Daniil Kharms
By the 1920s the Russian avant-garde was played out, various branches of the artistic movement achieved a balance of power, and leading organizations shifted in favour of the ideological and utopian recipes imposed by the Soviet state.
Camelia Dinu
doaj
‘reportless places’: Janet Malcolm and Collage
Critical Quarterly, EarlyView.
Natalie Ferris
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Abstract The analysis of Lenin’s language and rhetoric undertaken by the leading representatives of Russian Formalism in the pages of the journal LEF in early 1924 represents more than a tactical attempt to align Formalism with the mainstream of Bolshevik culture‐building in the context of the Soviet 1920s.
Alastair Renfrew
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Doświadczenie estetyczne XX wieku: awangarda i postmodernizm
Maksim Shapir Moscow State University/Russian Academy of Science "The Aesthetic Experience of the 20th century: Avant-garde and Post-modernism" Drawing from various attempts to define the avant-garde, from syntactic-semiotic relationships to ...
Maksim Szapir
doaj
The Rhythmic and the Metronomic: On Charlie Chaplin's Gait
Critical Quarterly, EarlyView.
Matthew Beaumont
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Snap Judgements: Turning Photography into Art in the Late Soviet Union
Abstract The history of photography and photography theory in the nineteenth and twentieth centuries is often preoccupied with “Western” criticism and arguments regarding the photograph as art, document, or technology. Yet, this criticism has ignored the development of photographic theory in the Soviet Union, particularly during the 1950s and 1960s ...
Jessica Werneke
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From Babel to Babble: The Russian Poetic Neo-Avant-Garde After the Loss of Speech [PDF]
Владимир Фещенко
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PROVINCIALISING BERLIN IN MENSCHEN IM HOTEL
ABSTRACT In this article, I take the peculiar source of Vicki Baum's Menschen im Hotel (1929) in a Southern Moravian town as a starting point to reveal the ways in which the hierarchies between metropolis and province are negotiated and complicated by the novel.
Meindert Peters
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