Results 41 to 50 of about 504 (178)
L’idiota Puškin e il saggio Stalin. Aneddotica e strategie di demitizzazione in Charms e Prigov
eSamizdat, 2023 The avant-garde literary group OBĖRIU, with its poetics of the absurd, alogism and grotesque, had a great influence on later Soviet Russian literature and on neo-avant-garde movements as well. This paper investigates the connection between OBĖRIU and the
Alice Bravin
doaj
On postmodernism, “the stairs of avant-garde”, and Brodsky
Sign Systems Studies, 2003 This article attempts to analyse Russian postmodernist poetics, proceeding from the concept of the “trans-semiotic stairs”, as presented by J. Faryno for describing the avant-garde.
Ülle Pärli
doaj +1 more source
The Rhythmic and the Metronomic: On Charlie Chaplin's Gait
Critical Quarterly, EarlyView.
Matthew Beaumont
wiley +1 more source
The Russian Review, Volume 85, Issue 2, Page 197-216, April 2026.Abstract The analysis of Lenin’s language and rhetoric undertaken by the leading representatives of Russian Formalism in the pages of the journal LEF in early 1924 represents more than a tactical attempt to align Formalism with the mainstream of Bolshevik culture‐building in the context of the Soviet 1920s.
Alastair Renfrew
wiley +1 more source
Doświadczenie estetyczne XX wieku: awangarda i postmodernizm
Er(r)go, 2015 Maksim Shapir Moscow State University/Russian Academy of Science "The Aesthetic Experience of the 20th century: Avant-garde and Post-modernism" Drawing from various attempts to define the avant-garde, from syntactic-semiotic relationships to ...
Maksim Szapir
doaj
OBERIU’s Absurd Object and the Poetics of Daniil Kharms
eSamizdat, 2023 By the 1920s the Russian avant-garde was played out, various branches of the artistic movement achieved a balance of power, and leading organizations shifted in favour of the ideological and utopian recipes imposed by the Soviet state.
Camelia Dinu
doaj
Snap Judgements: Turning Photography into Art in the Late Soviet Union
The Russian Review, Volume 85, Issue 2, Page 217-236, April 2026.Abstract The history of photography and photography theory in the nineteenth and twentieth centuries is often preoccupied with “Western” criticism and arguments regarding the photograph as art, document, or technology. Yet, this criticism has ignored the development of photographic theory in the Soviet Union, particularly during the 1950s and 1960s ...
Jessica Werneke
wiley +1 more source
‘reportless places’: Janet Malcolm and Collage
Critical Quarterly, Volume 68, Issue 2, Page 73-91, July 2026.
Natalie Ferris
wiley +1 more source
PROVINCIALISING BERLIN IN MENSCHEN IM HOTEL
German Life and Letters, Volume 79, Issue 1, Page 57-74, January 2026.ABSTRACT In this article, I take the peculiar source of Vicki Baum's Menschen im Hotel (1929) in a Southern Moravian town as a starting point to reveal the ways in which the hierarchies between metropolis and province are negotiated and complicated by the novel.
Meindert Peters
wiley +1 more source
VLADIMIR SOROKIN AND RUSSIAN AVANT-GARDE
Vestnik of Samara University. History, pedagogics, philology, 2018 This article discusses the relationship of Vladimir Sorokins literary work with the ideological and aesthetic attitudes of the Russian avant-garde. According to the author, to create a picture of the world Sorokin alternately refers to the methods of artistic research, characteristic of different generations of Russian avantgarde cubofuturists ...
openaire +2 more sources