Results 21 to 30 of about 504 (178)
Representation of Corpus Patiens in Russian Art of the 1920s
Similar to the Russian historical avant-garde of the 1910s, which predicted the war and the social revolution of 1917, the late avant-garde of the 1920s anticipated the advent of the totalitarian terror and the Stalinist repressions of the 1930s.
Nataliya Zlydneva
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FATES AND BIOGRAPHIES OF THE AVANT‑GARDE ERA: INGEBORG PRIOR’S SOPHIE’S LEGACY. FROM HANOVER TO This is an open access article SIBERIA. A TRAGIC STORY OF SOPHIE distributed under the Creative LISSITZKY-KÜPPERS AND HER STOLEN PAINTINGS. (NOVOSIBIR [PDF]
The article was prepared with the support of the Russian Foundation for The article was prepared with the support of the Russian Foundation for Humanities; project no № 16-04-00268: “Siberian avant-garde of the 1920s — 1930s: a newspaper, an ...
Elena Yu. Kulikova
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Visual and Verbal Self-Referentiality in Russian Avant-Garde Picturebooks
The early Soviet picturebook arose in an age of propaganda that conceived of children’s literature as a “forgotten weapon” in the battle to train a new populace to inhabit the new post-revolutionary world.
Sara Pankenier Weld
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Middlebrow Aesthetics: An Explanation and Defense
ABSTRACT We offer a philosophical account of the middlebrow as a theoretical category to do explanatory and critical work in aesthetics. On our account, the middlebrow ought to be understood as aspirational popular art. That is, it is art which aspires both to be popular (in a distinctive sense), and at the same time to be something more than popular ...
Aaron Meskin, Jonathan M. Weinberg
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Russian and American Poetry: Towards New Language Abilities [PDF]
The book by Vladimir Feshchenko, a Russian researcher of the language of poetry and a publisher of avant-garde literature, is devoted to Russian and American poetry of the language experiment in the 20th and early 21st century. Using examples from Andrei
Alexander M. Ulanov
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Architecture of Russian Avant-Garde and Japanese Metabolism: Parallels of Forms and Meanings
Russian avant-garde of the 1920-ies and Japanese metabolism of the 1960-ies are close to each other in their fundamental ideas and major concepts of morphogenesis: the removal of the distinction between form and content, architectural structures ...
Nina Konovalova
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This article considers the perception of the main group and personal exhibitions of Soviet third-wave émigré artists by the American press between the 1970s and 1980s. It analyses reviews in periodicals, which recorded the amplitude of growth and decline
Irina Andreevna Riznychok
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ROBERT WALSER'S ‘BLEISTIFTWEG’: POETICS OF ATTENTION AS CRAFT
ABSTRACT This article examines Robert Walser's entry into what he called his ‘Bleistiftgebiet’ in the early 1920s, when in response to a profound crisis as a writer he began to produce manuscripts in minuscule size, the so‐called ‘Mikrogramme’ (microscripts). Intertwining the analysis of the short prose form with Walser's reflections on the short‐lived
Anne Fuchs
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Abstract During their voyage to the Americas (1799–1804), Alexander von Humboldt and Aimé Bonpland described and collected American flora, fauna, minerals and other objects. After returning to Europe, they published several works, including Monographie des Melastomacées, initiated by Bonpland to classify this complex botanical family.
Marina Ramos de Azevedo +1 more
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Russian Avant-Garde Painting of the Silver Age: Methodological Foundations of Research
Introduction. Avant-garde painting of the beginning of the 20th century is rich in new directions, trends, new aesthetic concepts of avant-garde artists.
E. A. Kapichina, A. V. Skubak-Zalunina
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