Results 21 to 30 of about 1,907 (223)

The Third Renaissance and the Pre-Socratic Parmenides in Russian Modernism and Avant-Garde

Internationale Zeitschrift für Kulturkomparatistik, 2022
This article aims to reconstruct the reception of pre-Socratic philosophy, especially that of Parmenides, in Russian modernism and avant-garde literature.
Rainer Grübel
doaj   +1 more source

PARODY AS ONTOLOGIC AND GNOSEOLOGIC PROBLEM OF RUSSIAN (S.-PETERSBURG) AVANT-GARDE IN 1920S

Докса, 2012
The article explains why the thinkers of Russian avant-garde suggested and developed a theory of parody in 1920s. The cultural and politic context of the avant-garde’s theory of parody is analyzed.
Сергій Троіцький
doaj   +1 more source

Representation of Corpus Patiens in Russian Art of the 1920s

Arts, 2022
Similar to the Russian historical avant-garde of the 1910s, which predicted the war and the social revolution of 1917, the late avant-garde of the 1920s anticipated the advent of the totalitarian terror and the Stalinist repressions of the 1930s.
Nataliya Zlydneva
doaj   +1 more source

FATES AND BIOGRAPHIES OF THE AVANT‑GARDE ERA: INGEBORG PRIOR’S SOPHIE’S LEGACY. FROM HANOVER TO This is an open access article SIBERIA. A TRAGIC STORY OF SOPHIE distributed under the Creative LISSITZKY-KÜPPERS AND HER STOLEN PAINTINGS. (NOVOSIBIR [PDF]

Studia Litterarum, 2017
The article was prepared with the support of the Russian Foundation for The article was prepared with the support of the Russian Foundation for Humanities; project no № 16-04-00268: “Siberian avant-garde of the 1920s — 1930s: a newspaper, an ...
Elena Yu. Kulikova
doaj   +1 more source

Russian and American Poetry: Towards New Language Abilities [PDF]

Литература двух Америк
The book by Vladimir Feshchenko, a Russian researcher of the language of poetry and a publisher of avant-garde literature, is devoted to Russian and American poetry of the language experiment in the 20th and early 21st century. Using examples from Andrei
Alexander M. Ulanov
doaj   +1 more source

“While Dust is Settling”: The Perception of Exhibitions of Soviet Émigré Painters in the American Press between the 1970s and 1980s

Известия Уральского федерального университета. Серия 2: Гуманитарные науки, 2019
This article considers the perception of the main group and personal exhibitions of Soviet third-wave émigré artists by the American press between the 1970s and 1980s. It analyses reviews in periodicals, which recorded the amplitude of growth and decline
Irina Andreevna Riznychok
doaj   +1 more source

Visual and Verbal Self-Referentiality in Russian Avant-Garde Picturebooks

Barnboken: Tidskrift för Barnlitteraturforskning, 2019
The early Soviet picturebook arose in an age of propaganda that conceived of children’s literature as a “forgotten weapon” in the battle to train a new populace to inhabit the new post-revolutionary world.
Sara Pankenier Weld
doaj   +1 more source

Middlebrow Aesthetics: An Explanation and Defense

Pacific Philosophical Quarterly, EarlyView.
ABSTRACT We offer a philosophical account of the middlebrow as a theoretical category to do explanatory and critical work in aesthetics. On our account, the middlebrow ought to be understood as aspirational popular art. That is, it is art which aspires both to be popular (in a distinctive sense), and at the same time to be something more than popular ...
Aaron Meskin, Jonathan M. Weinberg
wiley   +1 more source

Architecture of Russian Avant-Garde and Japanese Metabolism: Parallels of Forms and Meanings

Проект Байкал, 2019
Russian avant-garde of the 1920-ies and Japanese metabolism of the 1960-ies are close to each other in their fundamental ideas and major concepts of morphogenesis: the removal of the distinction between form and content, architectural structures ...
Nina Konovalova
doaj   +2 more sources

ROBERT WALSER'S ‘BLEISTIFTWEG’: POETICS OF ATTENTION AS CRAFT

German Life and Letters, Volume 79, Issue 3, Page 323-336, July 2026.
ABSTRACT This article examines Robert Walser's entry into what he called his ‘Bleistiftgebiet’ in the early 1920s, when in response to a profound crisis as a writer he began to produce manuscripts in minuscule size, the so‐called ‘Mikrogramme’ (microscripts). Intertwining the analysis of the short prose form with Walser's reflections on the short‐lived
Anne Fuchs
wiley   +1 more source