Results 11 to 20 of about 1,907 (223)
Vladimir Mayakovsky and Frank O’Hara: a Reappraisal [PDF]
The “New York School” refers to a group of poets and painters, mostly of the Abstract Expressionist movement, who congregated in New York in the first two decades following the end of the Second World War.
Ronald Vroon
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Linguistic creativity of the avant-garde: language functions in literary and advertising discourses
The article departs from two non-referential functions of language — the poetic (expressive) and conative (appellative) functions — described by many linguists starting from Roman Jakobson and Karl Bühler.
Olga V. Sokolova, Vladimir V. Feshchenko
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Encounters with the Russian Avant Garde [PDF]
Encounters with the Russian Avant ...
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Moscow Conceptualism in a Monologue with the Avant-garde [PDF]
This article is the first to explore the relationship of Moscow conceptual artists with the creative and moral legacy of the Russian avant-garde of the 1910s-1920s.
Lazareva Ekaterina A.
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Pushkin as a personal myth of the Russian avantgarde
This article analyses strategies for cultural appropriation and the appropriation of Pushkin’s personality and oeuvre by the Russian avant-garde. The treatment of Pushkin by the avant-garde is considered as a peculiar variant of cultural apophaticism ...
Tsvigun T. V, Chernyakov A. N.
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« Seigneur, qu’ai-je fait ? » Poètes d’Europe centrale et orientale
Pre- and post- World-War-I Europe saw the emergence of Avant-garde artistic and literary movements (Futurism, Dadaism), which considered art primarily as a form of “doing”, whose power was deemed equivalent to the religious force of sacred formulas ...
Luba Jurgenson
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Joseph Moiseevitch Tchaikov. De la Ruche des Makhmadim à l’idéologie soviétique (1910-1937)
The reliefs decorating the propylaea of the Soviet pavilion at the 1937 Exposition Internationale in Paris were recently rediscovered on French soil, along with their sculptor, Iosif Chaykov (1888-1979).
Marie Vacher
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The article explores the category of interdiscursivity from a perspective of its realization in films. As a point of departure, the historical ties of the avant-garde and cinema are analyzed in terms of interdiscursivity.
Irina V. Zykova
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The paper presents an analytical review of the studied and processed information on the fundamental role of the education of artists in the system of the avant-garde institutes and art schools in the first quarter of the twentieth century. The study explores the main theoretical aspects related tothe development and formation of the Russian textile ...
Tatiana E. Patina, Ol’ga V. Kovaleva
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The reception of Soviet music in the west: A history of sympathy and misunderstandings [PDF]
In this concise survey, the evolution of Western attitudes to Soviet music is retraced: from a certain interest in the early Soviet avant-garde, through “Cold War” attempts to keep alive the works banned under Stalin, to the support of the ...
Hakobian Levon
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