Moscow Conceptualism in a Monologue with the Avant-garde [PDF]
Художественная культураThis article is the first to explore the relationship of Moscow conceptual artists with the creative and moral legacy of the Russian avant-garde of the 1910s-1920s.
Lazareva Ekaterina A.
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Reception of the Avant-garde in Russian Contemporary Art of the 1980s and 1990s [PDF]
Художественная культураThe article examines the reception of the Russian avant-garde art of the 1910s and 1920s in Soviet non-official art and early post-Soviet art of the 1980s and 1990s, the period when the Russian avant-garde art was widely discovered, followed and/or ...
Lazareva Ekaterina A.
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Pushkin as a personal myth of the Russian avantgarde
Слово.ру: балтийский акцент, 2020 This article analyses strategies for cultural appropriation and the appropriation of Pushkin’s personality and oeuvre by the Russian avant-garde. The treatment of Pushkin by the avant-garde is considered as a peculiar variant of cultural apophaticism ...
Tsvigun T. V, Chernyakov A. N.
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« Seigneur, qu’ai-je fait ? » Poètes d’Europe centrale et orientale
Revue des études slaves, 2023 Pre- and post- World-War-I Europe saw the emergence of Avant-garde artistic and literary movements (Futurism, Dadaism), which considered art primarily as a form of “doing”, whose power was deemed equivalent to the religious force of sacred formulas ...
Luba Jurgenson
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Слово.ру: балтийский акцент, 2021 The article explores the category of interdiscursivity from a perspective of its realization in films. As a point of departure, the historical ties of the avant-garde and cinema are analyzed in terms of interdiscursivity.
Irina V. Zykova
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Joseph Moiseevitch Tchaikov. De la Ruche des Makhmadim à l’idéologie soviétique (1910-1937)
Les Cahiers de l'École du Louvre, 2012 The reliefs decorating the propylaea of the Soviet pavilion at the 1937 Exposition Internationale in Paris were recently rediscovered on French soil, along with their sculptor, Iosif Chaykov (1888-1979).
Marie Vacher
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The reception of Soviet music in the west: A history of sympathy and misunderstandings [PDF]
Muzikologija, 2012 In this concise survey, the evolution of Western attitudes to Soviet music is retraced: from a certain interest in the early Soviet avant-garde, through “Cold War” attempts to keep alive the works banned under Stalin, to the support of the ...
Hakobian Levon
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The Third Renaissance and the Pre-Socratic Parmenides in Russian Modernism and Avant-Garde
Internationale Zeitschrift für Kulturkomparatistik, 2022 This article aims to reconstruct the reception of pre-Socratic philosophy, especially that of Parmenides, in Russian modernism and avant-garde literature.
Rainer Grübel
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PARODY AS ONTOLOGIC AND GNOSEOLOGIC PROBLEM OF RUSSIAN (S.-PETERSBURG) AVANT-GARDE IN 1920S
Докса, 2012 The article explains why the thinkers of Russian avant-garde suggested and developed a theory of parody in 1920s. The cultural and politic context of the avant-garde’s theory of parody is analyzed.
Сергій Троіцький
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From the Forgotten Russian Avant-Garde: An Unknown Acrostic by I.A.Aksenov Dedicated to K.A.Bol’shakov. (On IWL RAS Archival Materials) [PDF]
Studia Litterarum, 2016 This is the first publication of a hitherto unknown acrostic by an avant-garde poet, I. A. Aksenov. The poem was found in the archive of the Russian Union of Soviet Writers (VSSP) in the Manuscript Section of the Institute of World Literature (IWL). This
Alessandro Farsetti
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