Results 131 to 140 of about 39,586 (178)

Russian Opera and Ballet

The Musical Times, 1931
exaly   +2 more sources

The Russian Ballet at the Empire

The Musical Times, 1919
exaly   +2 more sources

Russian Orientalist Ballet and Non-Russian National Opera: From Diaghilev to Miroshnichenko

2020
exaly   +2 more sources

The Russian Ballet in Russia and in the West

Russian Review, 1969
exaly   +2 more sources

‘The Russian Barnum’: Russian Opinions on Diaghilev's Ballets Russes, 1909–1914

Dance Research, 2008
This article discusses the little-known Russian reviews of Sergei Diaghilev's ballet company. It argues that Diaghilev's reputation and social position in Imperial Russia affected how his troupe and the works famous in Western Europe were regarded in the Russian press.
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Three Historians of the Imperial Russian Ballet

Dance Research Journal, 1980
As interest in the history of Russian ballet grows, it is logical – inevitable, one hopes – that Russian writers of a century ago who specialized in ballet be scrutinized ever more closely. Who were the ballet historians of the time? What were their credentials? their points of view? To consider just three – Alexander Pleshcheyev, Konstantin Skalkovsky
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Russian ballet of the early 20th century in Europe

Voprosy kul'turologii (Issues of Cultural Studies), 2022
Familiarization of Europeans with Russian culture through ballet (ballets “Petrushka” by M. Fokine, “The Rite of Spring” by V. Nijinsky, artistic design / scenery by A.N. Benois (“The World of Art”) and N.K. Roerich.
openaire   +1 more source

English and Russian Ballet: Echoes of a Controversy

Tempo, 1957
A pair of broadcasts on the Bolshoi Ballet given at the end of last year by James Monahan and Arnold Haskell served to crystallise much that has been said by many enthusiasts about the relative modernity of the Russian and British ballet companies. The controversy flared up on the first night of Romeo and Juliet and has not died yet.
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Against the Grain: Akim Volynskii and the Russian Ballet

Dance Research, 1996
Though not surprising, it is certainly unfortunate that the man recently labelled 'Russia's leading ballet critic" between 1911 and 1926 remained almost totally forgotten for nearly fifty years. Only since the implementation of'glasnost,' when the stifling restrictions on access to and dissemination of information were lifted in his native land, has ...
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POSSESSED WITH DANCE: MYSTERY PLOTS IN RUSSIAN MODERNIST BALLET

Studia Religiosa Rossica: Russian Journal of Religion, 2019
In 1910 in Russia, two ideas were simultaneously conceived and developed: one of the «Rite of Spring» and the other, less known, of the ballet, «Alaley and Leyla». The former was staged in Sergey Diaghilev’s enterprise in Paris, 1913, whereas the idea for the latter came from the theatre director, Vsevolod Meyerhold, supported by the director of the ...
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