Results 141 to 150 of about 409 (178)
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Vaganova's Vision and the Development of Neoclassical Russian Ballet Technique

Dance Chronicle, 2012
Vaganova Today: The Preservation of Pedagogical Tradition By Catherine E. Pawlick. 208 pp. Illustrated. Gainesville: University Press of Florida, 2011. $19.99. ISBN 978-0813036977.
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Dancing influence: Russian ballet and the politics of cultural diplomacy

Empedocles: European Journal for the Philosophy of Communication
This article examines the development of Russian ballet as an instrument of imperial cultural ambition and symbolic cultural diplomacy. Inspired by French and Italian traditions, Russian institutions appropriated ballet and transformed it to convey refinement, modernity and cultural authority.
Chen Zhao, Lucy Wei
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POSSESSED WITH DANCE: MYSTERY PLOTS IN RUSSIAN MODERNIST BALLET

Studia Religiosa Rossica: Russian Journal of Religion, 2019
In 1910 in Russia, two ideas were simultaneously conceived and developed: one of the «Rite of Spring» and the other, less known, of the ballet, «Alaley and Leyla». The former was staged in Sergey Diaghilev’s enterprise in Paris, 1913, whereas the idea for the latter came from the theatre director, Vsevolod Meyerhold, supported by the director of the ...
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Russian Ballets

Books Abroad, 1936
A. K., Adrian Stokes
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The role of Marius Petipa in the creation of Russian ballet

2013
This thesis is not available on this repository until the author agrees to make it public. If you are the author of this thesis and would like to make your work openly available, please contact us: thesis@repository.cam.ac.uk.
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Sergei Diaghilev “The Russian”: Reflections on the Repertory of the Ballets Russes

Experiment, 2011
Abstract The Ballets Russes never performed in Russia, and in the last twelve years of its twenty-one year existence (1909-1929) many Western European artists and composers worked for the company. Yet its essential identity remained as Russian as that of its founder, the quintessential “cosmopolitan” Sergei Diaghilev.
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