Results 71 to 80 of about 1,922 (193)

Is the Scholarly System Breaking Down?

open access: yesLearned Publishing, Volume 39, Issue 3, July 2026.
ABSTRACT On the back of countless warnings that the scholarly system is seriously being threatened, indeed, upended by fraud, fakery and numerous bad practices, we set out to establish the extent to which this is true by asking the people who are, arguably, in the best position to know—early career researchers (ECRs).
David Nicholas   +7 more
wiley   +1 more source

F IS FOR FALCON: THE TRUE STORY OF THE ‘NOVELLE’

open access: yesGerman Life and Letters, Volume 79, Issue 3, Page 311-322, July 2026.
ABSTRACT This article takes a closer look at the Boccaccio story upon which Paul Heyse based his famous ‘Falken‐Theorie’ of the ‘Novelle’. The essay then links Boccaccio to a general account of storytelling as an aid to survival amid the hostility of nature and human circumstances.
Michael Minden
wiley   +1 more source

ROBERT WALSER'S ‘BLEISTIFTWEG’: POETICS OF ATTENTION AS CRAFT

open access: yesGerman Life and Letters, Volume 79, Issue 3, Page 323-336, July 2026.
ABSTRACT This article examines Robert Walser's entry into what he called his ‘Bleistiftgebiet’ in the early 1920s, when in response to a profound crisis as a writer he began to produce manuscripts in minuscule size, the so‐called ‘Mikrogramme’ (microscripts). Intertwining the analysis of the short prose form with Walser's reflections on the short‐lived
Anne Fuchs
wiley   +1 more source

The Ideology of History and the Limits of Cinematic Realism in Andrei Zviagintsev’s Leviathan and Nataliia Meshchaninova’s The Hope Factory

open access: yesThe Russian Review, Volume 85, Issue 3, Page 348-362, July 2026.
Abstract This article brings together theories of history and filmic realism to analyze the representation of the provinces in Nataliia Meshchaninova’s The Hope Factory (Kombinat “Nadezhda,” 2014) and Andrei Zviagintsev’s Leviathan (Leviafan, 2014). It argues that these two films share a typically realist attitude of respect toward the profilmic in ...
Daria Ezerova
wiley   +1 more source

KHLEBNIKOV’S INHERITORS: RUSSIAN EXPRESSIONISTS

open access: yesФилологический класс, 2019
The article deals with the issue of reception of Khlebnikov’s personality and creative activity in the Russian poetry of the early 1920s. The creative experience of “the discoverer of poetic continents”, as Mayakovsky called him, was very important for ...
doaj   +1 more source

Поэзия Вадима Андреева и Даниила Андреева: к проблеме нацио- нального мирообраза

open access: yesStudia Rossica Posnaniensia, 2018
The report presents an analysis of works of а Russian mystic poet and philosopher Daniel Andreev (1906–1959) and а European poet Vadim Andreev (1902–1976) as а phenomenon of 20th century's cultural development.
Olga Daszewskaja
doaj  

China in B. Poplavsky’s Poem Poetry

open access: yesRUDN Journal of Studies in Literature and Journalism
The Russian poets’ appeal to Chinese culture is a topic that has not been sufficiently studied, which is caused by several reasons: the complexity of interpreting Chinese realities, the peculiarities of their functioning in Russian texts, the correlation
Polina V. Porol, Olga A. Porol
doaj   +1 more source

INTERTEXTUALITY IN THE MODERN RUSSIAN POETRY

open access: yesRUDN Journal of Studies in Literature and Journalism, 2017
The article presents the analysis of specific manifestations of intertextuality in the Russian poetry of the late XX - early XXI ages. In the introduction, the author gives a short review of the theoretical aspect of the theme - the nature of intertextuality.
openaire   +3 more sources

EL GRECO IN RUSSIAN POETRY

open access: yesVestnik of Kostroma State University, 2020
The name El Greco (Doménikos Theotokópoulos) is rarely found in Russian poetry, although French romanticism included him in the canon of world classics. This article assumes that El Greco’s reception in Russian poetry is due not so much to the infl uence of French romanticism or Spanish surrealism as to the stylistic features of the artist himself, who
openaire   +1 more source

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