Results 91 to 100 of about 148,284 (235)
Black in Impressionism and Post‐Impressionism: Art, Color Vision, and Psychophysics
Color Research &Application, Volume 51, Issue 3, May/June 2026.Black has engendered controversy in 19th Century color theory and in Impressionist and Post‐Impresssionist painting. The neural mechanisms of blackness perception are being revealed through contemporary psychophysics. ABSTRACT From Paleolithic cave art to modern abstraction, artists have used black not merely as a neutral tone, but as a powerful ...
John S. Werner
wiley +1 more source
Visioning ecologically diverse and harmonious futures of Korea in Good Anthropocene
People and Nature, Volume 8, Issue 5, Page 1379-1402, May 2026.Abstract The Korean Demilitarized Zone (DMZ), a buffer between North and South Korea, holds profound historical, cultural and ecological significance, as well as exceptional potential for conservation and transformation. This study explores ecologically diverse and peaceful futures for the Korean Peninsula by envisioning the DMZ as a landscape for ...
HyeJin Kim +24 more
wiley +1 more source
Rossica teatralne na łamach prasy Polski międzywojennej. Teatr radziecki i jego twórcy
Napis, 2018 The text outlines the image of artistic influences between Polish and Russian theatre, dating back to the beginning of the twentieth century. It also presents the figures of outstanding reformers of the Russian stage, whose prominence and achievement had
Grażyna Pawlak
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Obrazy. 4. (Gli altri e) Ruben Nikolaevič Simonov: buio e resto del giorno. I.
Mimesis Journal, 2014 The third part of the profile dedicated to Ruben Simonov Nikolayevich (1899-1968) reconstructs the initial period of his leadership at the Vakhtangov Theatre in Moscow.
Massimo Lenzi
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Montage in Russian Imaginism: Poetry, theatre and theory
Sign Systems Studies, 2013 The article discusses the concept of montage as used by the Russian Imaginist poetic group: the montage principle in their poetry, theoretical writings and theatre articles. The leading Imaginist figures Vadim Shershenevich and Anatolij Mariengof were active both in theorizing and practising montage in their oeuvre at the beginning of the 1920s ...
openaire +3 more sources
Boston University Chamber Orchestra, October 27, 2014 [PDF]
, 2013 This is the concert program of the Boston University Chamber Orchestra performance on Monday, October 27, 2014 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Symphony No.
School of Music, Boston University
core
Archives of impact: The politics of craters on Earth
Geographical Research, Volume 64, Issue 2, May 2026.This paper examines Earth’s 195 confirmed impact craters as archives, exploring their cataloguing and presentation as heritage sites. It argues Western scientific framings using military language and emphasising catastrophe overlook settler colonialism’s violent histories and marginalise indigenous earth‐sky cosmologies.
Gareth Hoskins
wiley +1 more source
Ján Jamnický’s Ten Days with Soviet Theatre
Slovenské divadlo, 2017 Art was perceived in the Soviet Union as a part of ideology and propaganda aimed not only at the domestic environment but also at foreign countries. State cultural policy was presented through a series of magnificent meetings and shows, to which also ...
Lindovská Nadežda
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Piano duo "Philharmonica" [PDF]
, 2001 This is the concert program of guest artists Piano Duo "Philharmonica" performance on Monday, October 22, 2001 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
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THE 19th INTERNATIONAL THEATER FESTIVAL. MEETINGS IN RUSSIA UNDER CRITICAL ASPECT [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2017 The article deals with events that took place in the framework of the 19th International Theatre Festival of the CIS and Baltic States, which was held in St. Petersburg in the spring of 2017.
AXIONOVA NADEJDA
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