Results 71 to 80 of about 1,203,732 (145)

Blankness in post‐post‐postmodern poetry

open access: yesOrbis Litterarum, EarlyView.
Abstract Jameson's “myth” identifies reification as the leading cause of cultural change. The myth also adumbrates the semiotic form of post‐postmodernism and post‐post‐postmodernism, which Jameson himself did not explore. One of the most extreme varieties of post‐post‐postmodern verse is the would‐be blank poem, pursued by Russian Futurists, Lettrists,
Shawn Normandin
wiley   +1 more source

Ballet dancers in Symphonie fantastique, second movement, Covent Garden Russian Ballet, His Majesty's Theatre, Melbourne, 1939, 2 [picture] /

open access: yes, 1939
Title from caption list.; Part of the collection: Covent Garden Russian Ballet performance of Symphonie fantastique, His Majesty's Theatre, Melbourne, 1939.; Inscriptions: "2J/37"--In pencil lower right.; Condition: Buckled.; Also available in an ...
Hall, Hugh P.
core  

Transvenous Lead Extraction Versus Abandonment of non‐Infected, Superfluous Leads—A Meta‐Analysis and Systematic Review

open access: yesPacing and Clinical Electrophysiology, EarlyView.
ABSTRACT Background Managing non‐functional cardiac implantable electronic device (CIED) leads remains controversial. While extraction is standard for infection, it is unclear whether transvenous lead extraction (TLE) or lead abandonment (LA) provides superior outcomes for superfluous leads.
Karanjeet Chauhan   +8 more
wiley   +1 more source

Irina Baronova as the Beloved and dancers in Symphonie fantastique, Covent Garden Russian Ballet, His Majesty's Theatre, Melbourne, 1939 [picture] /

open access: yes, 1939
Title from caption list.; Part of the collection: Covent Garden Russian Ballet performance of Symphonie fantastique, His Majesty's Theatre, Melbourne, 1939.; Inscriptions: "T1"--In pencil lower right.; Condition: Buckled.; Also available in an electronic
Hall, Hugh P.
core  

Rossica teatralne na łamach prasy Polski międzywojennej. Teatr radziecki i jego twórcy

open access: yesNapis, 2018
The text outlines the image of artistic influences between Polish and Russian theatre, dating back to the beginning of the twentieth century. It also presents the figures of outstanding reformers of the Russian stage, whose prominence and achievement had
Grażyna Pawlak
doaj  

Main Difficulties of Comparative Studies of English Regionally Marked Nominative Units

open access: yesНаучный диалог, 2018
The author analyzes the main difficulties researchers may face in studying British and American nominative units (words or word combinations) from comparative perspective, namely: changeability of the regional status of the units in question; inaccuracy ...
D. L. Amitirova-Turgeneva
doaj   +1 more source

Middlebrow Aesthetics: An Explanation and Defense

open access: yesPacific Philosophical Quarterly, EarlyView.
ABSTRACT We offer a philosophical account of the middlebrow as a theoretical category to do explanatory and critical work in aesthetics. On our account, the middlebrow ought to be understood as aspirational popular art. That is, it is art which aspires both to be popular (in a distinctive sense), and at the same time to be something more than popular ...
Aaron Meskin, Jonathan M. Weinberg
wiley   +1 more source

Ballet dancers in Symphonie fantastique, second movement, Covent Garden Russian Ballet, His Majesty's Theatre, Melbourne, 1939, 1 [picture] /

open access: yes, 1939
Title from caption list.; Part of the collection: Covent Garden Russian Ballet performance of Symphonie fantastique, His Majesty's Theatre, Melbourne, 1939.; Inscriptions: "2H/24"--In pencil lower right.; Condition: Buckled.; Also available in an ...
Hall, Hugh P.
core  

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