Results 71 to 80 of about 1,109,355 (227)
Vasily Gushchinsky — the Last ‘Tramp’ on Stage [PDF]
The article examines the establishment and development of stage feuilletons in the 1920s-1930s on the example of Vasily Gushchinsky. On the pre-revolutionary stage, couplet singers performing as ‘tramps’ were very popular.
Sarieva Elena A.
doaj +1 more source
The Rhythmic and the Metronomic: On Charlie Chaplin's Gait
Critical Quarterly, EarlyView.
Matthew Beaumont
wiley +1 more source
Abstract This article examines the emergence and instrumentalization of the concept of the “genocide of the Soviet people” in both Soviet and post‐Soviet contexts, tracing its historical evolution and contemporary use in chronological perspective.
Dmitry Dubrovskiy, Irina Rebrova
wiley +1 more source
Publicity photographs for Spanish Play (1972), presented by the UMBC Theatre Department.April ...
Theatre
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Rossica teatralne na łamach prasy Polski międzywojennej. Teatr radziecki i jego twórcy
The text outlines the image of artistic influences between Polish and Russian theatre, dating back to the beginning of the twentieth century. It also presents the figures of outstanding reformers of the Russian stage, whose prominence and achievement had
Grażyna Pawlak
doaj
Main Difficulties of Comparative Studies of English Regionally Marked Nominative Units
The author analyzes the main difficulties researchers may face in studying British and American nominative units (words or word combinations) from comparative perspective, namely: changeability of the regional status of the units in question; inaccuracy ...
D. L. Amitirova-Turgeneva
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Political Naturalisation: Conscripting Transit Citizens in the United Arab Emirates
ABSTRACT Since its formation, the United Arab Emirates has sought to construct a cohesive sense of national identity among its citizens, centred on a system of material and legal privileges granted exclusively to Emirati nationals. A pillar of its nation‐building project was the strict exclusion of foreigners from citizenship and the upholding of a ...
Mira Al Hussein
wiley +1 more source
Prairie Repertory Theatre 1979 Season
Program and photograph from the 1979 Prairie Repertory Theatre season. Plays were Harvey, Send Me No Flowers, Damn Yankees, I Never Sang For My Father, and I Do! I Do!
core
Background. Despite the interest of the scientific community in the phenomenon of self-presentation, the relationship between ideas about the profession and strategies of self-presentation of the individual remains insufficiently studied.
Elena A. Semenova
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JCMS: Journal of Common Market Studies, EarlyView.
Christian Freudlsperger +1 more
wiley +1 more source

