Results 71 to 80 of about 2,148 (189)

How digitisation of herbaria reveals the botanical legacy of the First World War

open access: yesPLANTS, PEOPLE, PLANET, Volume 8, Issue 4, Page 1292-1303, July 2026.
Digitisation of herbarium collections is bringing greater understanding to bear on the complexity of narratives relating to the First World War and its aftermath – scientific and societal. Plant collecting during the First World War was more widespread than previously understood, contributed to the psychological well‐being of those involved and ...
Christopher Kreuzer, James A. Wearn
wiley   +1 more source

Jerzego Grotowskiego doświadczenie Rosji: Rekonesans

open access: yesPamiętnik Teatralny, 2000
This article presents various aspects of Jerzy Grotowski’s attitude towards Russian culture, his contacts with Russians, and his experiences during the stays in the Soviet Union in 1955–1956 and in 1976.
Zbigniew Osiński
doaj   +1 more source

Entwined Liberations: North Korean Democratic Women's Union and Third World Internationalism, 1945–1949

open access: yesGender &History, Volume 38, Issue 2, Page 637-646, July 2026.
ABSTRACT This research focuses on how the North Korean Democratic Women's Union (NKDWU), the umbrella women's organisation in North Korea formed soon after Korea's liberation from Japanese colonial rule in 1945, forged international leftist women's solidarity during the North Korean state's liminal, revolutionary period (1945–1949).
Taejin Hwang
wiley   +1 more source

THE 19th INTERNATIONAL THEATER FESTIVAL. MEETINGS IN RUSSIA UNDER CRITICAL ASPECT [PDF]

open access: yesStudiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2017
The article deals with events that took place in the framework of the 19th International Theatre Festival of the CIS and Baltic States, which was held in St. Petersburg in the spring of 2017.
AXIONOVA NADEJDA
doaj  

Montage in Russian Imaginism: Poetry, theatre and theory

open access: yesSign Systems Studies, 2013
The article discusses the concept of montage as used by the Russian Imaginist poetic group: the montage principle in their poetry, theoretical writings and theatre articles. The leading Imaginist figures Vadim Shershenevich and Anatolij Mariengof were active both in theorizing and practising montage in their oeuvre at the beginning of the 1920s ...
openaire   +3 more sources

Opera and Revolution: The Bolshoi Theatre at the End of 1917

open access: yesСовременные проблемы музыкознания
Primarily based on archival materials from the Russian State Archive of Literature and Art, the Russian State Archive of Economics, the Russian State Historical Archive, the Central State Archive of St. Petersburg and the A. A.
Petr N. Gordeev
doaj   +1 more source

Rossica teatralne na łamach prasy Polski międzywojennej. Teatr radziecki i jego twórcy

open access: yesNapis, 2018
The text outlines the image of artistic influences between Polish and Russian theatre, dating back to the beginning of the twentieth century. It also presents the figures of outstanding reformers of the Russian stage, whose prominence and achievement had
Grażyna Pawlak
doaj  

Eugene O’Neill’s “The Iceman Cometh” on Broadway: Triumphal Revival of a Drama-Parable [PDF]

open access: yesЛитература двух Америк, 2018
Amina A. Zhamanova
doaj   +1 more source

Appropriation of Classic Literature as an Ideological Issue: The Experience of Mikhail Chekhov Riga Russian Theatre

open access: yesZeszyty Cyrylo-Metodiańskie
In the present article, the issue of art, including literature as well as theatre, and ideology is analysed based on archival materials of Mikhail Chekhov Riga Russian Theatre from 1921 to 2023.
Natalja Shroma
doaj   +1 more source

Medical education through an invasion: insights from an elective programme for Ukrainian medical students at the University of Cambridge. [PDF]

open access: yesFront Med (Lausanne), 2023
Hodkinson J   +6 more
europepmc   +1 more source

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