Results 51 to 60 of about 148,284 (235)

Russian folk-theatre

open access: yes, 1970
The "Russian Folk-Theatre" is a study of the various dramatic genres which form a hitherto neglected part of Russia's oral litera¬ ture. It is divided into five main sections with an Introduction and extensive bibliography, It has three main aims, firstly to give a general account of the history and characteristic features of each type of theatre ...
openaire   +2 more sources

Mariinsky Theater Young Singers Academy St. Petersburg, Russia and the Boston University Opera Institute, November 1, 2003 [PDF]

open access: yes, 2003
This is the concert program of the Mariinsky Theater Young Singers Academy St. Petersburg, Russia and the Boston University Opera Institute performance on Saturday, November 1, 2003 at 8:00 p.m., at the Boston University Concert Hall, 855 Commonwealth ...
School of Music, Boston University
core  

Spectacle and Spy Stories: The 1954 Royal Commission on Espionage

open access: yesAustralian Journal of Politics &History, EarlyView.
ABSTRACT The Menzies government's 1954 royal commission, established to investigate Soviet espionage in Australia, is well known as the backdrop to the Labor Party split. It saw opposition leader H.V. Evatt's demise and ushered in an almost 20‐year period of Liberal Party governance.
Ebony Nilsson
wiley   +1 more source

«Водевиль в сумасшедшем доме»: «Линия Брунгильды» М. А. Алданова [“Vaudeville in a Madhouse”: “Liniia Brungil’dy” by Mark Aldanov]

open access: yesSlavica Revalensia, 2016
If one were to single out the most characteristic feature of the Russian theatre in exile, it would be the severe scarcity of everything: theater troupes were small, productions were executed on a very meager budget, etc.
Dmitri Nikolayev
doaj   +1 more source

Post-dramatically: Russian theatre and its borders [PDF]

open access: yesPractices & Interpretations: A Journal of Philology, Teaching and Cultural Studies, 2020
The article is devoted to the interpretation of the concept of postdramatic theatre as applied to the stage practice of modern Russian theatre. Despite the controversial theoretical status of the concept of postdramatic theatre, it is a convenient generalizing term to mark the directions towards expansion of theatrical boundaries that has taken place ...
openaire   +1 more source

The Fall Fringe Festival: Cendrillon [PDF]

open access: yes, 1999
This is the concert program of the Fall Fringe Festival performance of Cendrillon by Pauline Viardot with performances on Saturday and Sunday, October 30, 31 at 3:00 p.m. and 6:45 p.m., at Studio 210, The Boston University Theater, 264 Huntington Avenue.
School of Music, Boston University
core  

The circulation and distribution of classical Greek coinage

open access: yesThe Economic History Review, EarlyView.
Abstract From a sample of the most prominent Greek city‐states, data involving a total of 999 hoards and 160,007 coins from 550 to 300 BC were collected to discern the relative magnitudes, consistency of issue, and distribution of Classical Greek coinages.
Zane Mullins
wiley   +1 more source

The Poetics of the Artist’s Image in the Novel “Reminder” by Enna Alennik

open access: yesPolylinguality and Transcultural Practices
The study analyzes the story “Reminder” (1979) by the Leningrad writer Enna Alennik, which had not previously been included in literary discourse. In particular, the paper examines the image of a minor character, the artist Usto Modan.
Viktoriya S. Kosenko
doaj   +1 more source

Dramatising Posthumous Love in Russian Sentimentalism: Vladislav Ozerov’s Polyxena [PDF]

open access: yesДва века русской классики
The present article argues that the unique innovations of Vladislav Ozerov, a prominent 19th-century Russian dramatist, paved the way for creating a new genre of Neo-mythological drama in European theatre.
Katherine Anna New
doaj   +1 more source

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