Results 41 to 50 of about 1,109,355 (227)
Sobre ancestralidade, minha vó Eliza e o Teatro Russo
DAPesquisa, 2020 This panel is the result of a pursuit of a writing style to a research onArt. Entwining childhood and Ukrainian ancestral memories, the seam and the embroidery emerged as a qualitative strategy to deal with the body's thinking.
Thábata Marques Liparotti
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Spectacle and Spy Stories: The 1954 Royal Commission on Espionage
Australian Journal of Politics &History, EarlyView.ABSTRACT The Menzies government's 1954 royal commission, established to investigate Soviet espionage in Australia, is well known as the backdrop to the Labor Party split. It saw opposition leader H.V. Evatt's demise and ushered in an almost 20‐year period of Liberal Party governance.
Ebony Nilsson
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Prolegomeni alle origini del Secolo russo: un dodecalogo a mo’ di vademecum
Mimesis Journal, 2017 Why Russian theatre and drama, starting from the rearmost ranks in general critical appreciation, between 1898 and 1912 quickly rose to play the role of the most advanced aesthetic culture in Western – lato sensu – civilization, so much that the ...
Massimo Lenzi
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The Poetics of the Homo Creator in the Novel “The Tower of Silence” by Yavdat Ilyasov
Polylinguality and Transcultural PracticesThe anthroposophical series of literary types (homo ludens, homo faber, homo dreamer , etc.) does not include the hero homo creator (a creative person, a man of art).
Victoriya S. Kosenko
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THE A.P. CHEKHOV CHISHINAU RUSSIAN DRAMA THEATRE OF THE SECOND HALF OF THE 20th CENTURY THROUGH THE PRISM OF CRITICISM [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2015 The development of the A. Р. Chekhov Chishinau Russian Drama Theatre during the 1980s-2000s of the 20th century is closely connected with the names of the following directors: I. Petrovski, M. Abramov, J. Ţiţinovski, N. Betsis, V. Apostol, M.
AXIONOVA NADEJDA
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Slavica Revalensia, 2016 If one were to single out the most characteristic feature of the Russian theatre in exile, it would be the severe scarcity of everything: theater troupes were small, productions were executed on a very meager budget, etc.
Dmitri Nikolayev
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Theatre As Architecture of Memory and National Identity. Russian Case – Golden Mask 2018
Slovenské divadlo, 2018 The author focuses on selected productions of this year’s special program category of the Russian Theatre Festival Golden Mask 2018 – Russian Case in Moscow. The comparison of the latest productions of different genres and artistic aesthetics reveals the
Spodniaková Zuzana
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, 1971 Promotional materials produced for the 1971 Summer Repertory Theatre. The plays performed included You Know I Can't Hear You When The Water's Running, Blithe Spirit, and The Lark. Contains the theater program and publicity photographs.The Lark featured
Theatre +1 more
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Dramatising Posthumous Love in Russian Sentimentalism: Vladislav Ozerov’s Polyxena [PDF]
Два века русской классикиThe present article argues that the unique innovations of Vladislav Ozerov, a prominent 19th-century Russian dramatist, paved the way for creating a new genre of Neo-mythological drama in European theatre.
Katherine Anna New
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The circulation and distribution of classical Greek coinage
The Economic History Review, EarlyView.Abstract From a sample of the most prominent Greek city‐states, data involving a total of 999 hoards and 160,007 coins from 550 to 300 BC were collected to discern the relative magnitudes, consistency of issue, and distribution of Classical Greek coinages.
Zane Mullins
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