Results 41 to 50 of about 1,203,732 (145)
Global Policy, EarlyView.ABSTRACT How do states navigate the balance between multilateral obligations, bilateral cooperation and strategic independence during global crises? This article provides an in‐depth empirical analysis of the diplomatic efforts deployed by Denmark and Norway to secure vaccine access during the COVID‐19 pandemic.
Antoine de Bengy Puyvallée +2 more
wiley +1 more source
Prolegomeni alle origini del Secolo russo: un dodecalogo a mo’ di vademecum
Mimesis Journal, 2017 Why Russian theatre and drama, starting from the rearmost ranks in general critical appreciation, between 1898 and 1912 quickly rose to play the role of the most advanced aesthetic culture in Western – lato sensu – civilization, so much that the ...
Massimo Lenzi
doaj +1 more source
Of Numbers and Frogs: Wending One's Way through the Mind Fields of Symbolic Interaction Identity
Symbolic Interaction, EarlyView.
Gary T. Marx
wiley +1 more source
Spectacle and Spy Stories: The 1954 Royal Commission on Espionage
Australian Journal of Politics &History, EarlyView.ABSTRACT The Menzies government's 1954 royal commission, established to investigate Soviet espionage in Australia, is well known as the backdrop to the Labor Party split. It saw opposition leader H.V. Evatt's demise and ushered in an almost 20‐year period of Liberal Party governance.
Ebony Nilsson
wiley +1 more source
The Poetics of the Homo Creator in the Novel “The Tower of Silence” by Yavdat Ilyasov
Polylinguality and Transcultural PracticesThe anthroposophical series of literary types (homo ludens, homo faber, homo dreamer , etc.) does not include the hero homo creator (a creative person, a man of art).
Victoriya S. Kosenko
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THE A.P. CHEKHOV CHISHINAU RUSSIAN DRAMA THEATRE OF THE SECOND HALF OF THE 20th CENTURY THROUGH THE PRISM OF CRITICISM [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2015 The development of the A. Р. Chekhov Chishinau Russian Drama Theatre during the 1980s-2000s of the 20th century is closely connected with the names of the following directors: I. Petrovski, M. Abramov, J. Ţiţinovski, N. Betsis, V. Apostol, M.
AXIONOVA NADEJDA
doaj
Kandinsky: Visual Analytics of the Avant‐Garde
Computer Graphics Forum, EarlyView.Kandinsky transforms dense Avant‐Garde exhibition records into interpretable artist ensembles linked to geographic and temporal evidence. Expert evaluation shows that coordinated structural, spatial, and temporal views support art historians in recovering known constellations and identifying data‐grounded leads for further inquiry.
Raphael Buchmüller +8 more
wiley +1 more source
Slavica Revalensia, 2016 If one were to single out the most characteristic feature of the Russian theatre in exile, it would be the severe scarcity of everything: theater troupes were small, productions were executed on a very meager budget, etc.
Dmitri Nikolayev
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Theatre As Architecture of Memory and National Identity. Russian Case – Golden Mask 2018
Slovenské divadlo, 2018 The author focuses on selected productions of this year’s special program category of the Russian Theatre Festival Golden Mask 2018 – Russian Case in Moscow. The comparison of the latest productions of different genres and artistic aesthetics reveals the
Spodniaková Zuzana
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Dramatising Posthumous Love in Russian Sentimentalism: Vladislav Ozerov’s Polyxena [PDF]
Два века русской классикиThe present article argues that the unique innovations of Vladislav Ozerov, a prominent 19th-century Russian dramatist, paved the way for creating a new genre of Neo-mythological drama in European theatre.
Katherine Anna New
doaj +1 more source