Results 61 to 70 of about 1,203,732 (145)

Price Setting before and during the Pandemic: Evidence from Swiss Consumer Prices

open access: yesJournal of Money, Credit and Banking, EarlyView.
Abstract Using microdata underlying the Swiss consumer price index from 2008 to 2025, we document new features of price rigidity and assess their implications for inflation dynamics. The frequency of price changes increased in the decade before the pandemic, driven by items shifting to online price collection, as confirmed by causal identification from
BARBARA RUDOLF, PASCAL SEILER
wiley   +1 more source

Russian Theatre Festival at the Soho

open access: yes, 2010
As Noah Birksted-Breen, founder of Sputnik Theatre Company (noah@sputniktheatre.co.uk), starts planning the second Russian Theatre Festival in mid-2011, he looks back on why he founded the festival, what to look out for in new Russian drama, why he chose
Noah Birksted-Breen
core   +1 more source

Palaces for a New Spain Nobility: Between Creole Identity and Academicism

open access: yesSociology Lens, Volume 38, Issue 1, Page 75-86, March 2025.
ABSTRACT Mexico City and Havana had a significant number of noble palaces during the eighteenth century. Until now, the dearth of historical documentation on their construction has hampered any approximation, requiring other methodologies. Here, it is intended to establish how a new visual code was defined, consistent both with their local style and ...
Pedro Luengo
wiley   +1 more source

The Conference of Theatre Leaders on March 29–30, 1917: Discussion on the Fates of the Russian Theatre in the Age of Revolution

open access: yesВестник Волгоградского государственного университета. Серия 4. История, регионоведение, международные отношения, 2014
The article is devoted to the understudied but important event in the history of Russian theatre in the age of revolution – the conference of theatre leaders, held on March 29–30, 1917 in the Winter Palace. The study is aimed at determining the circle of
GORDEEV P.N.
doaj   +1 more source

Welcome Home: A Shared Identity Recognition in the Time of Crisis

open access: yesNations and Nationalism, EarlyView.
ABSTRACT How does a society sustain collective identity when formal citizenship and cultural recognition persistently diverge? Drawing on qualitative interviews with native‐born sabras and Russian‐speaking immigrants in Israel, this article develops a recognition‐gap framework specifying the mechanisms through which national belonging is produced ...
Mania Borzenko
wiley   +1 more source

Spotlight on State University theatre Newsletter

open access: yes, 1980
Prairie Repertory Theatre newsletter Spotlight on State University theatre.

core  

The Role of Mavka in the Articulation of Identity Under Conditions of War in Ukraine

open access: yesNations and Nationalism, EarlyView.
ABSTRACT This article aims to examine Mavka, a mythological forest spirit that has become a dynamic figure of resistance against occupation in the Russian‐Ukrainian war. Drawing on textual and visual materials from the Zla Mavka Telegram channel, the analysis conceptualizes Mavka as a symbolic framework that integrates three different identities ...
Miriam Billig, Nadia Iermakov
wiley   +1 more source

Ballet dancers in Symphonie fantastique, third movement, Covent Garden Russian Ballet, His Majesty's Theatre, Melbourne, 1939 [picture] /

open access: yes, 1939
Title from caption list.; Part of the collection: Covent Garden Russian Ballet performance of Symphonie fantastique, His Majesty's Theatre, Melbourne, 1939.; Inscriptions: "2H/32"--In pencil lower right.; Condition: Buckled.; Also available in an ...
Hall, Hugh P.
core  

Vasily Gushchinsky — the Last ‘Tramp’ on Stage [PDF]

open access: yesХудожественная культура
The article examines the establishment and development of stage feuilletons in the 1920s-1930s on the example of Vasily Gushchinsky. On the pre-revolutionary stage, couplet singers performing as ‘tramps’ were very popular.
Sarieva Elena A.
doaj   +1 more source

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