Results 61 to 70 of about 148,284 (235)

The 'cultural village' of the Solovki Prison Camp: a case of alternative culture? [PDF]

open access: yes, 2010
revious research concerning Gulag literature has frequently focused on single authors, who published their books after being incarcerated in concentration camps.
Gullotta, Andrea
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A Conversation With David Bellhouse

open access: yesInternational Statistical Review, EarlyView.
Summary David Richard Bellhouse was born in Winnipeg, Manitoba, on 19 July 1948. He studied actuarial mathematics and statistics at the University of Manitoba (BA, 1970; MA, 1972) and completed his PhD at the University of Waterloo, Ontario, in 1975. After being an Assistant Professor for 1 year at his alma mater, he joined the University of Western ...
Christian Genest
wiley   +1 more source

The Musical Composer and the Power: Vicente Martín y Soler at the Court of Catherine II of Russia

open access: yesMemoria y Civilización, 2017
The «Russian» operas of the Valencian musical composer Vicente Martín y Soler, were created during his stay at the court of Catalina II, from librettos that were written by the tsarina.
Irina Kryazheva
doaj   +1 more source

‘A new kind of conversation’: Michael Chekhov's ‘turn to the crafts’ [PDF]

open access: yes, 2013
Dartington Hall, which was the home of the Chekhov Theatre Studio between 1936 and 1938, also accommodated other performing artists including the Ballets Jooss and Hans Oppenheim's music school as well as artist-craftsmen such as the painter Mark Tobey ...
Tom Cornford
core   +1 more source

Palaces for a New Spain Nobility: Between Creole Identity and Academicism

open access: yesSociology Lens, Volume 38, Issue 1, Page 75-86, March 2025.
ABSTRACT Mexico City and Havana had a significant number of noble palaces during the eighteenth century. Until now, the dearth of historical documentation on their construction has hampered any approximation, requiring other methodologies. Here, it is intended to establish how a new visual code was defined, consistent both with their local style and ...
Pedro Luengo
wiley   +1 more source

Beyond realism : into the studio [PDF]

open access: yes, 2013
In his epilogue to this special issue’s collection of essays on early modern drama and realism, Tom Cornford returns to Stanislavsky’s studio and to the practices which gave rise to his “System.” This approach is often cited as the means by which realism
Cornford, Tom
core   +2 more sources

Iran's Forward Defense in Sub‐Saharan Africa

open access: yesMiddle East Policy, EarlyView.
Abstract This article examines Iran's security and defense initiatives in sub‐Saharan Africa between 1990 and 2024 and how they reflect the extraterritorial application of the regime's forward defense doctrine. In response to the long‐term erosion of its homeland defense capabilities since the Iran‐Iraq War of the 1980s—driven by infrastructure ...
Ariel Limanya Limbu, Ronen A. Cohen
wiley   +1 more source

The Poet Mashrab in the Play “Flights of Mashrab” by Mark Weil

open access: yesPolylinguality and Transcultural Practices
The legendary Central Asian poet Boborakhim Mashrab, who lived at the turn of the 17th-18th centuries, has inspired Russian artists, writers, and theater performers since the late 19th century, the time of the Russian Empire’s conquest of the Turkestan ...
Viktoriya S. Kosenko
doaj   +1 more source

The Conference of Theatre Leaders on March 29–30, 1917: Discussion on the Fates of the Russian Theatre in the Age of Revolution

open access: yesВестник Волгоградского государственного университета. Серия 4. История, регионоведение, международные отношения, 2014
The article is devoted to the understudied but important event in the history of Russian theatre in the age of revolution – the conference of theatre leaders, held on March 29–30, 1917 in the Winter Palace. The study is aimed at determining the circle of
GORDEEV P.N.
doaj   +1 more source

ALEA III: Now and Then, February 1, 2006 [PDF]

open access: yes, 2006
This is the concert program of the ALEA III: Now and Then performance on Wednesday, February 1, 2006 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue.
School of Music, Boston University
core  

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