Results 11 to 20 of about 2,148 (189)
SIMEON POLOTSKY’S DRAMA NEBUCHADNEZZAR THE TSAR AND ITS WESTERN-EUROPEAN DRAMA SOURCES
Тhis paper aims to reconsider the influences of Western-European drama of the XVII century on the creation of Russian baroque and the first drama writer in Russia Simeon Polotsky. During the initial period, Russian theatre, especially during the XVI and
Ivana I. Petković
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Neste artigo, analisaremos os métodos de trabalho e os espetáculos selecionados do diretor polonês Tadeusz Kantor e do diretor brasileiro Antunes Filho.
Argus Cecil Nery Monteiro
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The influence of traditional Eastern culture on the evolution of theater directing in Russia in the first decades of the 20th century is examined. Experience of theatrical productions and the creation of a new methodology (system) of actor’s training in ...
N. V. Belyakova, S. A. Chebotarev
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Polskie teatry w Moskwie (1915–1918)
The article and the annex it is supplied with presents a little-known episode in the history of Polish theatre during the First World War. In July 1915, when the German army was drawing close to Warsaw, a part of the population was evacuated to Russia ...
Katarzyna Osińska
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Creolized Text as a Polylingual Phenomenon
In oral speech communication is advisable to distinguish between verbal and non-verbal communication channel. The verbal channel is served by the sounds of a particular ethnic language, with which the meanings of words formed in another ethnic culture ...
Viktoria S. Kosenko
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From Social Justice to Metaphor: The Whitening of Othello in the Russian Imagination
Othello was the most often-staged Shakespeare play on early Soviet stages, to a large extent because of its ideological utility. Interpreted with close attention to racial conflict, this play came to symbolize, for Soviet theatres and audiences, the ...
Natalia Khomenko
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Politikum a privatum. O podobách ruskej dokumentárnej drámy // Politicum and privatum: Different representations of the Russina documentary drama [PDF]
In 2002, the theatre Teatr.doc was established in the Moscow by the group of Russian playwrights led by Yelena Gremina and Mikhail Ugarov. The verbatim method and documentary drama became a new trend of their performing arts creation.
Romana Štorková Maliti
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INTERNATIONAL THEATRICAL EDUCATIONAL PROGRAM: 25 YEARS OF EXPERIENCE IN MOSCOW ART THEATRE SCHOOL
In the article is concerned with the research results regarding the creation, development and implementation of the international theatrical educational program organized by the Moscow Art Theatre School together with the Eugene O'Neill Theatre Centre ...
Elena Viktorovna Burdenko +2 more
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ABSTRACT Tracing the early adoption of computer gang databases by the Los Angeles County Sheriff's Department and the Los Angeles Police Department in the 1980s to the deployment of computationally‐assisted surveillance during the Vietnam War, this paper uses a genealogical approach to compare surveillance technologies developed across the arc of ...
Christina Hughes
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