Results 91 to 100 of about 397,191 (284)
Voix Plurielles, 2019 Compte rendu Foletti, Ivan, Katarína Kravčíková, Adrien Palladino et Sabina Rosenbergová, dir. Migrating Art Historians.
Catherine Parayre
doaj +1 more source
Back to the Land: Museum Practices, Collections, and Other‐Than‐Human Politics in Southern Chile
Curator: The Museum Journal, EarlyView.ABSTRACT Since the 2000s, Mapuche communities' participation has transformed the Mapuche Museum of Cañete. This participation shifted the institution's concept, curation, and conservation practices. From the second half of the 2010s onwards, other‐than‐human politics reshaped the participatory process.
Lucas da Costa Maciel
wiley +1 more source
Our Place in New Zealand Culture: How the Museum of New Zealand Constructs Biculturalism [PDF]
, 2003 The Museum of New Zealand Te Papa Tongarewa opened in 1998 amidst controversy but has been a huge popular success and has become an icon of national identity.
Goldsmith, Michael
core +1 more source
Museum Care of Indigenous Cradles: Insights From Consultation With Tribal Communities
Curator: The Museum Journal, EarlyView.ABSTRACT Traditional cradles are important objects in many Indigenous American cultures. A historical tendency of museums to overlook Indigenous perspectives on proper object handling and display has often resulted in improper care of culturally sensitive objects in museum collections.
Abby S. Baka +10 more
wiley +1 more source
ANDIR AS A SCARED DANCE AT TISATA VILLAGE, KERAMBITAN, TABANAN REGENCY
E-Journal of Cultural Studies, 2014 Tariandir in the village Tista is a form of Legong Kraton tarisejenis the Tista community called andir.Strukturkoreografinyasangatdekatdengantarilegongkeraton , tetapitari Andir only flourish in the village Tista Kerambitan.Tari inidifungsikan as ...
Ni Made Arshiniwati
doaj
SYMBOLISM OF SACRED IMAGE: FEATURES AND POSSIBILITIES OF FORMAL ANALYSIS
Докса, 2018 The article is devoted to the analysis of artistic form in visual sacred art at the point of its own pure symbolism which provides the special or exclusive expressiveness of the sacred images and let us identify them exactly as the sacred ones.
Ольга Барановська
doaj +1 more source
Religija ir kultūra, 2008 Monotheist religions oppose the idolatry which makes space sacred and the mythological world upon which all idolatry depends. Art, used by monotheisms and mythologies, is neutral in this opposition. The example of Judaism is invoked to show how two apparently “sacred spaces,” the ancient Temple in Jerusalem and the conjugal bed of the home, represent ...
openaire +2 more sources
Behind the Curtain: COVID‐19 as a Lens to Precarity in Museum Labor
Curator: The Museum Journal, EarlyView.ABSTRACT Using in‐depth interviews with emerging and early professional museum workers in New Orleans, Louisiana, this article expands on scholarship around the perceived and actual value of nonprofit labor. It adds qualitative support to the argument that museum labor is real labor—open to exploitation and abuse while constantly negotiated internally ...
Miriam Taylor Fair
wiley +1 more source
Harmony, Sacrifice, and Agamben’s Messianic Time
Muzikološki Zbornik, 2015 In the early twentieth century, harmony, the sacred, and even time were seen as impediments to artistic freedom, though for the ancients, harmony was the integrating force of the cosmos.
Janet Danielson
doaj +1 more source
Alloparenting the investment child: A reply to responses
The British Journal of Sociology, EarlyView.
Nina Bandelj
wiley +1 more source