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African Arts, 1997
in the standard publication (Lepsius, Denkmaeler aus Aegypten und Aethiopien [Erganzugband], 1913), which appear to equate the Nubian and Egyptian "races," are actually twentieth-century pastiches motivated by limitations of their publisher. Strangely, the essay by Molefi Kete Asante in the companion catalogue nevertheless continues to cite these ...
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in the standard publication (Lepsius, Denkmaeler aus Aegypten und Aethiopien [Erganzugband], 1913), which appear to equate the Nubian and Egyptian "races," are actually twentieth-century pastiches motivated by limitations of their publisher. Strangely, the essay by Molefi Kete Asante in the companion catalogue nevertheless continues to cite these ...
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Sacred, Holy or Religious Art?
Blackfriars, 1955There is a very real sense in which everything that is is sacred. We say, or at least said, that life is sacred; motherhood is sacred, and so on. Far be it from me to deprecate this usage. For does not the root evil of our time, the secularization of life, he precisely in atrophy of the religious sense?
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Performing Arts and Sacred Models
2007AbstractThis chapter looks at the Gupta Empire and in particular the career of Samudragupta. Hindu arts and sciences attained a high level of success, the earliest examples of north Indian temples date to this period and elaborate public rituals, including the horse sacrifice, were sponsored by the king.
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