Results 51 to 60 of about 7,132 (164)
THÉRÈSE, GUERREIRA DA SAGRADA FACE
This article aims to reflect on the relationship between the sacred and the art in the research which by the artist-researcher Karla L.C.
Karla Lidiane Costa Martins Silva
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Harmony, Sacrifice, and Agamben’s Messianic Time
In the early twentieth century, harmony, the sacred, and even time were seen as impediments to artistic freedom, though for the ancients, harmony was the integrating force of the cosmos.
Janet Danielson
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Sacred Art and the Artful Conversion of Margery Kempe
Eriksen, Roy, Eriksen, Roy
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Compte rendu Foletti, Ivan, Katarína Kravčíková, Adrien Palladino et Sabina Rosenbergová, dir. Migrating Art Historians.
Catherine Parayre
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ANDIR AS A SCARED DANCE AT TISATA VILLAGE, KERAMBITAN, TABANAN REGENCY
Tariandir in the village Tista is a form of Legong Kraton tarisejenis the Tista community called andir.Strukturkoreografinyasangatdekatdengantarilegongkeraton , tetapitari Andir only flourish in the village Tista Kerambitan.Tari inidifungsikan as ...
Ni Made Arshiniwati
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Theological Empiricism, Natural Science and Sacred Art
Theological empiricism is the view that knowledge of God must ultimately rest on human experience. This puts it in opposition to theologies that rely exclusively on conceptual analysis and biblical revelation, or some combination of the two.
Gordon Graham
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La lumière naturelle dans l’architecture chrétienne relève d’une acception spirituelle qui se fonde sur une longue tradition. Depuis une cinquantaine d’années, l’éclairage électrique bouleverse, quant à lui, la mise en valeur des œuvres d’art religieux qui y sont exposées.
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The purpose of the article is to discuss Via Crucis, a work by Marek Chlanda, which sets out to express one of the most important themes of Christian iconography in the language of abstract art. The author first asks whether the semantics of abstract forms can effectively convey the narrative and express the profound message of man’s salvation by God ...
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Au musée du Hiéron, l’art contemporain comme passeur du sacré
The oldest museum of sacred art in France, the Hiéron, founded in 1879 with the aim of re-Christianizing society, houses a rich collection: 17th- and 18th-century Italian paintings, religious gold and silverware, Romanesque sculpture, and more.
Maud Siron
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Orphism and the Dionysian Gaze: Myth, Art, and Lyric Poetry in Ancient Greece
In today's totally desacralized and thus also dis-connected world, Orpheus' attitude, namely the turning of the gaze towards the sacred, or Euridice in Hell, undoubtedly implies the assumption of the refreshing (and redemptive) stance of the tragic: a ...
Francisco Aranda Espinosa
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