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Sacred Fire: The Language of Poetry
1998From his earliest notebooks, Coleridge’s observations on language are associated with the art of poetry. As an aspirant poet, he had a special interest in current means of literary expression. The verse of Thomas Gray and William Collins represented the significant legacy of English poetry to his generation, as he would consider it.
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On the Poetry of Giovanni Bellini's "Sacred Allegory"
Artibus et Historiae, 1984The article deals with meaning in Giovanni Bellini's so-called Sacred Allegory in the Gallerie degli Uffizi, Florence. Previous attempts at explaining meaning in the painting have been iconographical and have largely ignored the meaning and poetry of its form, hence distorting the picture's value. The author's descriptive evocation of poetry in Bellini'
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In his aesthetic reflections, Hegel identifies the Judaic Psalms, which he calls sacred poetry, as the core of the sublime. While it has often been suggested that Hegel showed little interest in the notion of sublimity, Ibarra B. contends that this interpretation is misleading and warrants further elucidation.
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Qeysar Aminpur and the Persian Poetry of Sacred Defence
British Journal of Middle Eastern Studies, 2007The narrative of martyrdom of Hosayn the third Shi-ite Imam, has been closely associated with the cathartic expression of grief for generations of Iranians, but in the last three or so decades the image has taken on a symbolism of national resistance against internal oppression and external aggression.
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Sacred poetry, eternal felicity, and the redemption of Israel
2022The article explores the philosophical exegesis in Obadiah Sforno's sixteenth-century Psalms commentary and its reception in Berlin of the late eighteenth century, where it was reprinted in the Haskalah's biggest bestseller-an edition of Moses Mendelssohn's Psalms translation with Hebrew commentary. While the inclusion of entire commentaries by earlier
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The Sacred Space in Vasile Romanciuc's Poetry
Lucrările conferinţei știinţifice naționale „Lecturi in memoriam acad. Silviu Berejan”This article addressesthe issue ofsacred space in the poetry ofV.Romanciuc, starting, first of all, from the definition of the sacred offered by M. Eliade and R. Caillois. Using the dichotomy of inside and outside, proposed by R. Caillois, but also used by G. Bachelard, a demarcation of the sacred space within into three concentrically situated levels:
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War poetry, romanticism, and the return of the sacred
2014Both during the war years and afterwards, the dead returned to the living in prose and poetry. In Britain, France, and Germany, many writers used verse to keep the voices of the fallen alive, by speaking for them, to them, about them. Soldiers developed their own form of this genre. Their soliloquies were sad, evocative, often moving, and rarely either
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Guardians of the Sacred Word: Ewe Poetry
Books Abroad, 1976Charles Dameron, Kofi Awoonor
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