Results 41 to 50 of about 1,505 (164)

Vanités pour Samuel Beckett

Etudes Epistémè, 2012
Vanity as a motive may be defined in three different ways within the works of Samuel Beckett. During his first period it is the exuberance of baroque Vanity that predominates in novels like Watt and Murphy.
Sjef Houppermans
doaj   +1 more source

UN AMPLE DISCOURS SUR LA PLASTICITÉ ET SA RENCONTRE AVEC LE THÉÂTRE DE SAMUEL BECKETT [A BROAD DISCOURSE ON PLASTICITY AND ITS ENCOUNTER WITH THE THEATER OF SAMUEL BECKETT] [PDF]

Incursiuni în imaginar
In 2022, Harmattan published a new book on the work of a renowned playwright who revolutionized theater. The playwright is Samuel Beckett, the author, Christakis Christofi, lecturer at the University of Cyprus, in the Department of French and European ...
Rodica Gabriela CHIRA
doaj   +1 more source

SAMUEL BECKETT Y LA DINÁMICA TEXTUAL DEL FRACASO

452ºF, 2014
Este artículo propone que la Trilogía: Molloy, Malone Muere y El innombrable de Samuel Beckett constituye paradójicamente una obra de fracaso, impotencia y silencio.
Hana Fayez Khasawneh
doaj  

Abstracts

Molecular Oncology, Volume 20, Issue S1, Page 1-692, August 2026.
Abstracts submitted to the ‘EACR 2026 Congress: Innovative Cancer Science’, from 08–11 June 2026 and accepted by the Congress Organising Committee are published in this Supplement of Molecular Oncology, an affiliated journal of the European Association for Cancer Research (EACR).
wiley   +1 more source

Nuda podróżowania, nuda czekania. "Gerry" Gusa Van Santa a teatr Samuela Becketta

Images, 2009
Boredom of travelling, boredom of waiting. Gus Van Sant’s “Gerry” and the theatre of Samuel Beckett Jakub Popielecki draws on Roger Ebert’s anecdote and discusses similarities between Gus Van Sant’s Gerry and the theatre of Samuel Beckett. The movie and
Jakub Popielecki
doaj   +1 more source

Lire les effets de voix

Sillages Critiques, 2000
This article concerns questions of voice, enunciation and the narrator in the works of Louis-René des Forêts, Samuel Beckett, Albert Camus, Henri Michaux, Fyodor Dostoyevsky,et al.
Dominique Rabaté
doaj   +1 more source

The Study of Names in Samuel Beckett's Texts: Problems and Prospects

Names, 2010
The article tries to understand and make a critical evaluation of the directions the study of names and naming in Samuel Beckett's texts has taken in the last fifty years.
Tatyana Hramova
doaj   +1 more source

POSTHUMAN ELEMENTS IN SAMUEL BECKETT’S “KRAPP’S LAST TAPE”

Studia Universitatis Babeş-Bolyai. Philologia, 2018
Posthuman Elements in Samuel Beckett’s “Krapp’s Last Tape”. The present paper aims to offer insight regarding the post-anthropocentric elements present in one of Samuel Beckett’s most innovative plays, Krapp’s Last Tape.
Diana Cosmina DUPU
doaj   +1 more source

A esfuziante – ainda que velada – forma do som

Sinais de Cena, 2006
Crítica ao espectáculo Todos os que caem (All that fall), de Samuel Beckett, encenação de João Mota, Comuna - Teatro de Pesquisa, Lisboa, 2006.
Maria Helena Serôdio
doaj  

Ritmos sem número: Encontros entre Henri Meschonnic e Samuel Beckett

Revista Criação & Crítica, 2023
O artigo discute afinidades e relações oblíquas entre Henri Meschonnic e Samuel Beckett, a partir de um percurso analítico por textos da coletânea Têtes-mortes (1972) representativa da ficção beckettiana tardia.
André Goldfeder
doaj