Results 41 to 50 of about 1,271 (170)

Samuel Beckett em Portugal: imagens roubadas ao tempo: 1959-2006

Sinais de Cena, 2006
Portefólio dedicado a Samuel Beckett em Portugal (1959-2006).
Sebastiana Fadda, Rui Pina Coelho
doaj  

The making of Samuel Beckett’s ‘Molloy’

, 2017
Originally published in French in 1951 and translated into English by the author himself four years later, Molloy is the first novel of Samuel Beckett's Trilogy, continued in Malone Dies and The Unnamable. The Making of Samuel Beckett's 'Molloy' is a comprehensive reference guide to the history of the text.
Verhulst, Pim, Van Hulle, Dirk, O'Reilly, Edouard Magessa   +2 more
openaire   +3 more sources

Interrogating the Rhodes Must Fall Student Protests Through Fanonian Sociogeny: A Psychosocial Analysis of Historical Trauma and Political Violence in Postapartheid South Africa

International Journal of Applied Psychoanalytic Studies, Volume 23, Issue 1, March 2026.
ABSTRACT This article employs Frantz Fanon's sociogenic method to analyze the MustFall# student protest movement as an illustration of the psychic afterlife of colonialism in postapartheid South Africa. Fanon's sociogeny, which locates the formation of subjectivity in the reciprocal interplay between the psychic and the political, offers a framework ...
Veeran Naicker
wiley   +1 more source

UN AMPLE DISCOURS SUR LA PLASTICITÉ ET SA RENCONTRE AVEC LE THÉÂTRE DE SAMUEL BECKETT [A BROAD DISCOURSE ON PLASTICITY AND ITS ENCOUNTER WITH THE THEATER OF SAMUEL BECKETT] [PDF]

Incursiuni în imaginar
In 2022, Harmattan published a new book on the work of a renowned playwright who revolutionized theater. The playwright is Samuel Beckett, the author, Christakis Christofi, lecturer at the University of Cyprus, in the Department of French and European ...
Rodica Gabriela CHIRA
doaj   +1 more source

ESPERANDO GODOT HOMOLOGIA E CIRCULARIDADE

Prâksis, 2016
Este artigo analisa a peça Esperando Godot, de Samuel Beckett, sob a luz da teoria de Lucien Goldmann, que emprega a noção de homologia entre a obra de arte e a realidade.
Marcelo Adams
doaj   +2 more sources

SAMUEL BECKETT Y LA DINÁMICA TEXTUAL DEL FRACASO

452ºF, 2014
Este artículo propone que la Trilogía: Molloy, Malone Muere y El innombrable de Samuel Beckett constituye paradójicamente una obra de fracaso, impotencia y silencio.
Hana Fayez Khasawneh
doaj  

Lire les effets de voix

Sillages Critiques, 2000
This article concerns questions of voice, enunciation and the narrator in the works of Louis-René des Forêts, Samuel Beckett, Albert Camus, Henri Michaux, Fyodor Dostoyevsky,et al.
Dominique Rabaté
doaj   +1 more source

Nuda podróżowania, nuda czekania. "Gerry" Gusa Van Santa a teatr Samuela Becketta

Images, 2009
Boredom of travelling, boredom of waiting. Gus Van Sant’s “Gerry” and the theatre of Samuel Beckett Jakub Popielecki draws on Roger Ebert’s anecdote and discusses similarities between Gus Van Sant’s Gerry and the theatre of Samuel Beckett. The movie and
Jakub Popielecki
doaj   +1 more source

The Study of Names in Samuel Beckett's Texts: Problems and Prospects

Names, 2010
The article tries to understand and make a critical evaluation of the directions the study of names and naming in Samuel Beckett's texts has taken in the last fifty years.
Tatyana Hramova
doaj   +1 more source

POSTHUMAN ELEMENTS IN SAMUEL BECKETT’S “KRAPP’S LAST TAPE”

Studia Universitatis Babeş-Bolyai. Philologia, 2018
Posthuman Elements in Samuel Beckett’s “Krapp’s Last Tape”. The present paper aims to offer insight regarding the post-anthropocentric elements present in one of Samuel Beckett’s most innovative plays, Krapp’s Last Tape.
Diana Cosmina DUPU
doaj   +1 more source