Results 61 to 70 of about 6,886 (177)
The relation between reality and language, the instability of language as a signification system, the representation crisis, and the borders of interpretation are the controversial issues that have engaged not only philosophers, but also many authors ...
Vaziri Nasab Kermany, Fereshteh
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The Study of Names in Samuel Beckett's Texts: Problems and Prospects
The article tries to understand and make a critical evaluation of the directions the study of names and naming in Samuel Beckett's texts has taken in the last fifty years.
Tatyana Hramova
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Ohio impromptu, genre and Beckett on film
Samuel Beckett’s choice of the title Ohio Impromptu to name the play first performed to an audience of academics and scholars at Columbus Ohio in 1981 is one manifestation of its author’s interest in the question of literary genre; more generally, in ...
Dowd, Garin
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Nuda podróżowania, nuda czekania. "Gerry" Gusa Van Santa a teatr Samuela Becketta
Boredom of travelling, boredom of waiting. Gus Van Sant’s “Gerry” and the theatre of Samuel Beckett Jakub Popielecki draws on Roger Ebert’s anecdote and discusses similarities between Gus Van Sant’s Gerry and the theatre of Samuel Beckett. The movie and
Jakub Popielecki
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Letter from Samuel Beckett to Roger Bensky, November 5, 1969
A letter from Samuel Beckett to Roger Bensky from November 5 ...
Beckett, Samuel
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Ação alegórica em Esperando Godot: um jogo musical [PDF]
Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2013.Busca-se lançar um olhar sobre a ação de Esperando Godot e trazê-la à cena por um viés musical ...
Bedin, Ciliane
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Letter from Samuel Beckett to Roger Bensky, February 20, 1969
A letter from Samuel Beckett to Roger Bensky from February 20 ...
Beckett, Samuel
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Sammelrezension: Samuel Beckett
Jonathan Bignell: Beckett on screen. The television plays.Peter Seibert (Hg.): Samuel Beckett und die Medien.
Hesse, Christoph
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Ritmos sem número: Encontros entre Henri Meschonnic e Samuel Beckett
O artigo discute afinidades e relações oblíquas entre Henri Meschonnic e Samuel Beckett, a partir de um percurso analítico por textos da coletânea Têtes-mortes (1972) representativa da ficção beckettiana tardia.
André Goldfeder
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POSTHUMAN ELEMENTS IN SAMUEL BECKETT’S “KRAPP’S LAST TAPE”
Posthuman Elements in Samuel Beckett’s “Krapp’s Last Tape”. The present paper aims to offer insight regarding the post-anthropocentric elements present in one of Samuel Beckett’s most innovative plays, Krapp’s Last Tape.
Diana Cosmina DUPU
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